Quotes About Storytelling

I love a lots of things about being a writer! The thrill of seeing characters come to life, and the satisfaction as a story starts to fall into place. Independence not being answerable to anyone but myself or tied to a nine-to-five routine is very important to me, too. And of course, it's great being a writer when it comes to parties! In my experience, most people are fascinated by the process of writing and the whole idea of romantic fiction, even if they have never read any.

When my dad returned to preaching, I thought we moved because God would tell my dad it was time to move. He studied to be an adolescent therapist, learning how to reach that brain. Because he was such a good storyteller, he could tug at the heart, too. He'd make people weep, holding up their hands as they listened to him share the Word in a way they had never heard. Even as a kid I could feel the energy of change in the room when my dad was working.

A high school teacher once told me that identity is half what we tell ourselves and half what we tell other people about ourselves. But the missing piece he didn't mention—the piece that holds so much weight, especially in the minds of young women and girls—is the stories that other people tell us about ourselves. Those narratives become the ones we shape ourselves into. They're who we are, even if so much of it is a performance. This

Men's pain and existential angst are the stuff of myth and legend and narratives that shape everything we do, but women's pain is a backdrop - a plot development to push the story along for the real protagonists. Disrupting that story means we're needy or selfish, or worst of all, man-haters - as if after all men have done to women over the ages the mere act of not liking them for it is most offensive.

Men's pain and existential angst are the stuff of myth and legends and narratives that shape everything that we do, but women's pain is a backdrop - a plot development to push the story along for the real protagonists. Disrupting the story means we're needy or selfish, or worst of all, man-haters - as if after all men have done to women over the ages the mere act of not liking them for it is most offensive.

Upon learning that Hall was the man who had invented the typewriter she used so often, the girl put her arms around his neck and gave him a huge hug and kiss. Forever afterward, whenever Hall told this story of how he met Helen Keller, tears would fill his eyes.

Sentences wandered through the report like morning glory through the pickets of a fence.

People who write fiction, if they had not taken it up, might have become very successful liars.

Imagination? It is the one thing beside honesty that a good writer must have. The more he learns from experience the more he can imagine.

There is seven-eights of it under water for every part that shows. Anything you know you can eliminate and it only strengthens your iceberg. It is the part that doesn't show. If a writer omits something because he does not know it then there is a hole in the story. (Interview with Paris Review , 1958)

Good writing is true writing. If a man is making a story up it will be true in proportion to the amount of knowledge of life that he has and how conscientious he is; so that when he makes something up it is as it would truly be.

This was omitted on my new theory that you could omit anything if you knew that you omitted and the omitted part would strengthen the story and make people feel something more than they understood.

The only writing that was any good was what you made up, what you imagined. That made everything come true. Everything good he had ever written he'd made up. None of it had ever happened. Other things had happened. Better things, maybe. That was what the family couldn't understand. They thought it was all experience. Nick in the stories was never himself. He made him up. Of course he had never seen an Indian woman having a baby. That was what made it good. Nobody knew that.

She talked all the time and at first it was about people and places.

Ma che cosa posso raccontare a questa ragazza, ora, in questa fredda mattina ventosa al Gritti Palace Hotel? "Che cosa vorresti sapere, Figlia?" le chiese "Tutto quanto." "Va bene" disse il colonnello. "Incominciamo.

If I started to write elaborately, or like someone introducing or presenting something, I found that I could cut that scrollwork or ornament out and throw it away and start with the first true simple declarative sentence I had written. Up in that room I decided that I would write one story about each thing that I knew about. I was trying to do this all the time I was writing, and it was good and severe discipline.

Up in that room I decided that I would write one story about each thing that I knew about. I was trying to do this all the time I was writing, and it was good and severe discipline.

Let's say that he should go out and hang himself because he finds that writing well is impossibly difficult. Then he should be cut down without mercy and forced by his own self to write as well as he can for the rest of his life. At least he will have the story of the hanging to commence with.

As he had originally planned to do, Hemingway took the external details of the story and presented them from the point of view of the fisherman. He thus made it possible for the reader to participate imaginatively in the story. That effect was always Hemingway's primary aim as a writer.

I do not think they believed a word of the story and I thought it was silly but it was like a law-court. You did not want something reasonable, you wanted something technical and then stuck to it without explanations.

Make it all up. But make it up so truly that later it will happen that way. Ernest Hemingway

I decided that I would write one story about each thing that I knew about.

Imagination? It is the one thing beside honesty that a good writer must have. The more he learns from experience the more he can imagine." - Ernest Hemingway

When you pick a partner, you pick a story. So what kind of story are you going to write? You are the editors of your life stories. Write well and edit often. And remember ... a life story is not a love story. You can love a lot more people than you can make a life with.