Quotes About Storytelling

Almost everyone shuts down when science becomes too technical; you've got to infuse it with entertainment and storytelling to make it effective. From high school on, science is taught in a very dry manner, which isn't as potent.

Film is like sculpture, writing, acting, technical arts, all sorts of arts. And that's why I wanted to do it for so long, because it would include so many places for attention.

The challenge is to balance the technical elements and what is required of us with being artists and telling a story.

It's not a film-maker's job to explain his technique, but to tell his story the best way he can.

Since I grew up, I have never deliberately used any technique at all other than the physical shaping of my tale so that it more or less resembles what has been thought of as a novel for these last two hundred years.

The core to what makes Fincher really interesting - all the technique and all that, that is not in the center even if it's a big big part - what is in the center is the characters, and he really is interested in that.

Through his mastery of storytelling techniques, he has managed to separate his character, in the public mind, from his actions as president. He has, in short, mesmerized us with that steady gaze.

When I was nine years old, I wrote a short story called 'How to Build a Snowman,' from which no practical snowperson-crafting techniques could be gleaned. The story was an assignment for class and it featured a series of careful but meaningless instructions. Of course, the building of the snowman was a red herring.

We had so many firsts on 'Coraline' that I couldn't quite see where we'd go from there, but for 'ParaNorman' we developed this 'skewed naturalism' that marries a lot of intricate detail with a more cinematic approach, then just built on all that and pushed those techniques even further, so we can tell our stories that much more effectively.

My approach goes way beyond simply ingredients and techniques. Every dish has to have a story.

To me an influencer must embody 2 critical skills, continuous learning and storytelling. Accenture enabled me to accelerate my learning about exponential technologies and how they were impacting businesses, the economy and the world.

I look at myself more as a storyteller than a screenwriter, as pretentious as that may sound, but that's what really attracts me to TED Talks. For me, the really effective ones are being presented by expert storytellers.

You've heard this phrase and I don't think I understood it until I was making 'Ted Lasso,' this thing of 'the sandbox.' It's like we build the sandbox, we have the characters, we've got the action figures, and Season 2, we get to play with them and move them around.

Here's what I think is good about 'Ted Lasso' and what I'm proud of in it, as a writer: It's about kindness and teamwork and empathy, and being curious and not judgmental, but it does all of that through storytelling and plot.

One of the incredible things about doing a show like this is that Jason Sudeikis has it all mapped out in his head. I imagine it's a bit like the tattoos in 'Prison Break.' If you cut Jason open, it's probably like that, but with the story of 'Ted Lasso.'

When we were making 'Teddy Perkins,' we were playing with a lot of horror tropes and things you might've seen in movies before, but we get the ability to subvert expectations or get a comedic element out of a horror moment.

I've always enjoyed teen characters, and kids as well. For whatever reason, I seem to have an ability to do it sort of well, and I enjoy doing it.

I had a lot of friends, but none of them I felt super close with. Now that I'm older, I can look back on my teenage self and kind of see the things I did wrong and the things I did right, what affect they had on me, and what affect they had on other people. I can look at it in a much more conducive way to storytelling.

'St. Elmo's Fire' is one of my favorite films. I like the storytelling of those teenage American films. You don't get that now. Teenage American movies are all about sick jokes, puking a lot, arse jokes.

As a little girl, I used to write stories, but by my teenage years, I got out of the habit.

You better have your story down before you take it to a teenager.

Artists like Otis Redding, Sam & Dave, Albert King, Ann Peebles, Isaac Hayes, and so many more gave me hope when I was an angst-filled teenager trying to make sense of it all... They were my teachers. Through their music, I learned how to live, how to be true to myself, and how to tell my story as a songwriter the way that I was feeling it.

Your reader is interested in a guileless, fresh, first-time-we-talked-about-it way. What a great liberation that is. And teenagers, if you respect them, will follow you a lot further than adults will, without fear of being a genre that they may not like or have been told not to like. They just want a story.

I think the reason teenage fiction is so popular with adults is that adults hunger for narrative just as badly as teenagers do.