Quotes About Storytelling

The thing about Drew Goddard and Mike Schur is that they are legit geniuses, and they love storytelling. They love creating worlds, love messing with the audience; they love doing things that we don't expect. To get to be a part of that is too good to be true.

It is perhaps both a blessing and a curse that fictional worlds spring into my mind nearly fully formed and it takes quite a while to sift through everything to find the story.

I'm not a sci-fi lover; I wasn't from the start. So perhaps I miss that passion for other worlds, other dimensions, that sort of scope and that magnitude of storytelling; that's not my thing though I meet plenty of people whose thing it definitely is.

Pixar films are not realistic. They are believable for the worlds we are creating.

While actors are great and awesome, writers literally create new worlds from scratch. What is sexier than that? Personally, I don't know why every last person out there isn't dating a writer.

My process seems to be unusual in the sense that I don't create worlds before characters. With me, character is king.

We want to take our time with 'Descender' and let the story unfold at its own pace. But we have carefully planned each world and worked to give each its own look and feel. And each of the 9 core worlds will play a role in the series.

Every television show is hard to do, but when you're in genre and you're recreating worlds and mythologies, they're particularly hard.

I really am so grateful to get to do what it is I love - build worlds. Most of my job is playing make-believe, getting to know the people in my head, and letting them help me tell their stories.

I like to create characters and worlds, and there's nothing like telling your own stories.

Publishing and film are such different worlds for writers.

I always wanted to direct stories that are big scale and fantastical worlds.

I use voiceover just like I use dialogue. There's a way to give out information or give out insight to the character or give out their worldview, and maybe you have to slip in exposition, but it's all about how you write it.

As a generalization, fantasy writing has leaned more on political storytelling the more it's tried to escape the inevitable influence of Middle-earth, and revise the Eurocentric and Christian tropes that Tolkien's particular worldview bequeathed.

I have a worm's eye view and a bird's eye view simultaneously and it's immensely helpful to understand what is happening on the shop floor when you are harnessing many talents and telling an intimate story on a large scale.

When I'm rapping, like, a turn up song, I'm thinking about what the people want to hear; this is what they're going to like. When I'm singing, I'm, like, telling my story. I'm not worried if people like it; I'm just trying to be truthful, you know what I'm saying? I'm just talking about something that happened to me.

The way games are designed is you create a story, and then you create an obstacle course inside that story, and the player has to endure it to see more. So it's artificial. Game designers are so intensely worried about people getting bored that they pile on busy work for players to do.

I've always been afraid to do a solo show. When I go to see the great solo shows of Liz Callaway or Christine Ebersole, they have so many incredible stories to talk about, and their material and lives are so rich. I've always worried that my life was not rich enough.

When Ralph Lauren creates a collection of clothes, he's not really worried about a single tie or a single shirt or a single belt... he's creating a movie, and the characters that he casts in his advertisements or the people that work in the stores are the actors in his life.

The way that I sort of direct the writers is, let's do the best story we can. Let's not worry about production issues. 'How much will that cost? How are we going to shoot that?' Let's not set up those constraints on the writing. I don't think it helps the project to work like that.

Octavia Butler was more interested in writing a good story than in worrying about where to slot it.

A dinosaur out of context is like a character without a story. Worse than that, the character suffers from amnesia.

I put the copy of 'A Christmas Carol' that my grandfather had first read to me 60 years ago on my desk, and I began to write. The result, for better or for worse, is the 'Christmas Spirits.' I plan to read it to my grandson.

I couldn't tell a story if my life depended on it. I'm the world's worst joke-teller.