Quotes About Storytelling

A medida que avanzaba el verano nuestro juego progresaba. Añadimos diálogos y perfeccionamos la trama hasta que compusimos una pequeña obra teatral en la que introducíamos cambios todos los días. (...) Habíamos compuesto una obra breve y triste, tejida con trozos y retales de habladurías y leyendas de la vecindad.

Oh dear me, yes. The novel must tell a story.

He merely reared his children as best he could, and in terms of the affection his children felt for him, he best was indeed good: he was never too tired to play Keep-Away; he was never too busy to invent marvelous stories; he was never too absorbed in his own problems to listen earnestly to a tale of woe; every neight he read aloud to them until his voice cracked.

Nothing is allowed to die in a society of storytelling people. It is all-the good and the bad-carted up and brought along from one generation to the next. And everything that is brought along is colored and shaped by those who bring it.

They sat on a park bench, held hands, and told each other their stories hour after hour. They were not lonely anymore. They had found and been found by their 100% perfect other. What a wonderful thing it is to find and be found by your 100% perfect other. It's a miracle, a cosmic miracle.

Everything, everything seemed once-upon-a-time.

A short story I have written long ago would barge into my house in the middle of the night, shake me awake and shout, 'Hey,this is no time for sleeping! You can't forget me, there's still more to write!' Impelled by that voice, I would find myself writing a novel. In this sense, too, my short stories and novels connect inside me in a very natural, organic way.

A real story requires a kind of magical baptism to link the world on this side with the world on the other side.

Unsure how to answer, I took another grape. Time was no problem for me, but I wasn't eager to hear the long life story of a dwarf. And besides, this was a dream. It could evaporate any moment.

My process is thinking, thinking and thinking - thinking about my stories for a long time.

At the time, sword and sorcery stories were quite popular. There were female warriors waving swords around as well, but the genre is populated entirely with people who have absolutely no responsibility to anyone, so I knew my story would have to be completely different from any of these.

To have a film where there's an evil figure and a good person fights against the evil figure and everything becomes a happy ending, that's one way to make a film. But then that means you have to draw, as an animator, the evil figure. And it's not very pleasant to draw evil figures

Las historias, llevadas a término, son exploraciones de los límites de la legitimidad.

In the end, I will have to make a choice about how to tell my story....There has to be a moment of going forward, when all the possibilities are left behind.

I read from Mark Twain's lips one or two of his good stories. He has his own way of thinking, saying and doing everything. I feel the twinkle of his eye in his handshake. Even while he utters his cynical wisdom in an indescribably droll voice, he makes you feel that his heart is a tender Iliad of human sympathy.

Good directing is good writing and good casting.

I was Paul Schrader's assistant for six months before I went to film school, and he's very much about knowing what's going to happen on every page before you even start writing dialogue - the entire plot and character arcs are mapped out.

I write the last line, and then I write the line before that. I find myself writing backwards for a while, until I have a solid sense of how that ending sounds and feels. You have to know what your voice sounds like at the end of the story, because it tells you how to sound when you begin.

The problem with dragons is that everyone uses them. All the time. When that happens, they become commonplace. A lot of people think you can just throw them into a story and suddenly whatever you're writing is 28% cooler. But that doesn't work. All that does is make dragons into some boring cliche.

I think there's always satisfaction that comes from digging in and telling a story and being on the front line and writing about it. I think there's a venue available if you look. Even print journalism is in good shape in areas.

With musical theatre, although there are rules, they're so different to the ones I feel like I have accidentally been ingrained with writing pop music. The main point is to tell the story. You just have to make sure the character's voice is strong and the storytelling is strong.

Writing a screenplay's not rocket science, but I was in a bar, and the bartender came up to me and said, 'I saw 'Night at the Museum,' and the thing about him and his kid brought me and my kid together.' Something like that... it's like, 'Oh, right. That's why we're doing it.'

I'm a woman, and I'm interested in writing stories from a female perspective.

I've been writing stories all my life. My very first story had two little black girls riding horses. They were both me, too, so that's how into me I was.