Quotes About Storytelling

Stories are for eternity, when memory is erased, when there is nothing to remember except the story.

A true war story is never moral. It does not instruct, nor encourage virtue, nor suggest models of proper human behavior, nor restrain men from doing the things men have always done. If a story seems moral, do not believe it. If at the end of a war story you feel uplifted, or if you feel that some small bit of rectitude has been salvaged from the larger waste, then you have been made the victim of a very old and terrible lie. There is no rectitude whatsoever. There is no virtue.

True war stories do not generalize. They do not indulge in abstraction or analysis. For example: War is hell. As a moral declaration the old truism seems perfectly true, and yet because it abstracts, because it generalizes, I can't believe it with my stomach. Nothing turns inside. It comes down to gut instinct. A true war story, if truly told, makes the stomach believe.

I keep trying to find a way to tell this story, to explain how things went bad

In war you lose your sense of the definite, hence your sense of truth itself, and therefore it's safe to say that in a true war story nothing is ever absolutely true.

and when you listened to one of his stories, you'd find yourself performing rapid calculations in your head, subtracting superlatives, figuring the square root of an absolute and then multiplying by maybe. Still

Whenever he told the story, Rat had a tendency to stop now and then, interrupting the flow, inserting little clarifications or bits of analysis and personal opinion. It was a bad habit, Mitchell Sanders said, because all that matter is the raw material, the stuff itself, and you can't clutter it up with your own half-baked commentary. That just breaks the spell. It destroys the magic. What you have to do, Sanders said, is trust your own story. Get the hell out of the way and let it tell itself.

The object of storytelling, like the object of magic, is not to explain or to resolve, but rather to create and to perform miracles of the imagination. To extend the boundaries of the mysterious. To push into the unknown in pursuit of still other unknowns. To reach into one's heart, down into that place where the stories are, bringing up the mystery of oneself.

He wanted to heat up the truth, to make it burn so hot that you would feel exactly what he felt.

Stories are for joining the past to the future. Stories are for those late hours in the night when you can't remember how you got from where you were to where you are. Stories are for eternity, when memory is erased, when there is nothing to remember except the story.

Forty-three years old, and the war occurred half a lifetime ago, and yet the remembering makes it now. And sometimes remembering will lead to a story, which makes it forever.

They told stories about Ted Lavender's supply of tranquilizers, how the poor guy didn't feel a thing, how incredibly tranquil he was. There's a moral here, said Mitchell Sanders. They were waiting for Lavender's chopper, smoking the dead man's dope. The moral's pretty obvious, Sanders said, and winked. Stay away from drugs. No joke, they'll ruin your day every time. Cute, said Henry Dobbins. Mind blower, get it? Talk about wiggy. Nothing left, just blood and brains. They made themselves laugh.

He wanted to heat up the truth, to make it burn so hot that you would feel exactly what he felt. For Rat Kiley, I think, facts were formed by sensation, not the other way around" (p89 "Sweetheart of Song Tra Bong")

Garden of Evil. Over here, man, every sin's real fresh and original." (p80 Mitch Sanders in "How to Tell a True War Story")

What seems to happen becomes its own happening and has to be told that way. […]And afterward, when you go to tell about it, there is always that surreal seemingness, which makes the story seem untrue, but which in fact represents the hard and exact truth as it seemed.

But listen. Even that story is made up. I want you to feel what I felt. I want you to know why story-truth is truer sometimes than happening-truth. Here is the happening-truth. I was once a soldier. There were many bodies, real bodies with real faces, but I was young then and I was afraid to look. And now, twenty years later, I'm left with faceless responsibility and faceless grief.

when you listened to one of his stories, you'd find yourself performing rapid calculations in your head, subtracting superlatives, figuring the square root of an absolute and then multiplying by maybe.

I'm young an happy. I'll never die. I'm skimming across the surface of my own history, moving fast, riding the melt beneath the blades, doing loops and spins, and when I take a high leap into the dark and come down thirty years later, I realize it is as Tim trying to save Timmy's life with a story.

Forty-three years old, and the war occurred half a lifetime ago, and yet the remembering makes it now. And sometimes remembering will lead to a story, which makes it forever. That's what stories are for. Stories are for joining the past to the future. Stories are for those late hours in the night when you can't remember how you got from where you were to where you are. Stories are for eternity, when memory is erased, when there is nothing to remember except the story.

If a story seems moral, do not believe it. If at the end of a war story you feel uplifted, or if you feel that some small bit of rectitude has been salvaged from the larger waste, then you have been made the victim of a very old and terrible lie. There is no rectitude whatsoever. There is no virtue. As a first rule of thumb, therefore, you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil.

This next part,' Sanders said quietly, 'you won't believe.' 'Probably not,' I said. 'You won't. And you know why?' He gave me a long, tired smile. 'Because it happened. Because every word is absolutely dead-on true.

That's what fiction is for. It's for getting at the truth when the truth isn't sufficient for the truth.

Holy crap! Your story was so long I forgot the beginning! - Ichigo Kurosaki

Storytelling is an escape from the jail of the self, leading to the ultimate adventure--seeing life through the eyes of another.