Quotes About Storytelling

People have compared me to Lupe Fiasco, Kanye West, Eminem, and J. Cole. They bring substance and largely are all good storytellers, and those are two of my biggest strengths. It's dope to be compared to people who have longevity in the game because that's the most important thing for me: I want my name to live forever.

I make it a point to pick films that tell you a story in an engaging way. I can't compromise on the content. The script has to be substantial and impactful.

Gerald's Game,' we could not have made it at a studio without substantive changes to the story.

In film, because you know where the ending is, characters can change, but in television, you substitute revelation for change, and that can be hard to pull off.

I believe that filmmakers have to internalize the story and subtext so well that all of the departments can start to speak to each other - that music can speak to cinematography can speak to writing and back again.

It's always a balance between something that touches you intimately and something that you think is going to be generous - I like to find intimate, subtle subjects and bring them into strong story telling.

Usually, you lose interest in a story beyond a certain point. But with 'Highway,' there was something very subtle, yet something very influential. I intended 'Highway' to be the first film that I ever made. Didn't happen.

I'll put 'Stranger Things' up there with the best of it. I think it's such a profound show - it's very subtle in the way that it tells its story, but it's very effective. Every time I watch it, I feel something, which is very rare for me.

In terms of scripted shows, I love 'Mad Men.' Cinematically, it's one of the most beautiful shows ever made. I love the subtlety of the acting and the storytelling, and I love that they don't think the audience is dumb. They make a great show, and you figure it out, and it leaves you with so many questions - it's just great.

I grew up on a suburban street with lace curtains and dull neighbours, so I made up stories to tell my friend, in which they became serial killers and burglars. She told her mother, who then told mine.

My dad was an actor, and he made it all seem quite magical. It felt like a slightly subversive thing, telling stories, when all of my other friends' parents were builders or bank clerks. It's always seemed quite magical to me.

I'm drawn to subversive material and material that speaks to communities and people who tend to be marginalized, and telling those stories in ways that subvert expectations. That's always been fun for me to play and always been fun for me to write.

There are some people who, when they speak, no matter what the topic, seem to draw you into their own worldview, almost like an act of magic, like you are stepping into a movie, TV show, computer game, or graphic novel of their making. This can be a sign of their energy and creativity.

Get Candidates Telling Stories About Themselves Rather than Reciting Facts or Canned Answers A simple question designed to elicit a story, such as "What did you do this morning?," is a good way to begin to get to know a person without being threatening.

Most of us have a bias toward well-spoken and articulate storytellers. But make sure you keep an awareness of this at the front of your mind, for it can cause you to hire glib but unsubstantial people and overlook rare creative talent. Do not overestimate the importance of the person's articulateness.

Cette attitude non héroïque a cependant un inconvénient : c'est qu'elle se prête mal aux récits ou en tous les cas aux récits de facture classique ; or la fonction narrative est indispensable dans toute société.

Toda obra, toda novela, narra a través de la trama de los acontecimientos la historia de su propia creación, su propia historia.

Little things like language don't get in the way of a really good fillum.

But couldn't he burn the twaddle instead of straining it. The story of the man who uses a Bunsen burner to singe from his lips the words with which a story might otherwise have been told.

Now the purpose of her stories had changed. She spun them to discover their meaning. In the telling, she found, you reached a point where you could not go back, where—as the stories changed—it transformed you, too.

I never want to forget that if Lewis Carroll had asked me whether or not he should bother writing about a little girl named Alice who fell asleep and dreamed that she had a lot of adventures down a rabbit hole, it would not have sounded awfully tempting to any editor.

No elaborate stories of monsters and quicksand and lightning and having to cross rivers of hot lava by jumping on the heads of ravenous lava earwigs the size of cows, with pincers made out of giant steel knives?

Ascoltare una bella storia è come sognare, ma poi bisogna svegliarsi e la vita... bé, la vita è un'altra cosa.

The Gingerbread House has four walls, a roof, a door, a window, and a chimney. It is decorated with many sweet culinary delights on the outside. But on the inside there is nothing—only the bare gingerbread walls. It is not a real house—not until you decide to add a Gingerbread Room. That's when the stories can move in. They will stay in residence for as long as you abstain from taking the first gingerbread bite.