Quotes About Storytelling

Writing for young children I find I often use particular jokes with words and exaggerated, funny events, but some of these haunt the more complex stories for older children too.

My partner, Danny Strong, came to me with this idea of telling a story about my life and merging that with music and the hip-hop world. He wrote 'The Butler' and originally wanted to do 'Empire' also as a movie.

Partnerships are good engines for narrative.

What bothered me was playing one-dimensional parts in films which were really about, 'Boy Meets Girl,' 'Will Boy Get Girl?'

I actually feel that the different kinds of stories come out of different parts of my brain.

I've always been a fan of the 19th century novel, of the novel that is plotted, character-driven, and where the passage of time is almost as central to the novel as a major minor character, the passage of time and its effect on the characters in the story.

A boy with a story must write.

branding is about emotion.

The parable is given to us, but at the same time its full wealth of meaning will never be fully mined. It is not reducible to some clear, singular, scientific formula but rather gives rise to a multitude of commentaries. In opposition to this, many Christian communities view the stories and parables of the Bible as raw material to be translated into a single, understandable meaning rather than experienced as infinitely rich treasures that can speak to us in a plurality of ways.

Glück macht keine guten Geschichten. Glück lässt sich nicht beschreiben. Es ist wie Nebel, wie Rauch, durchsichtig und flüchtig. Hast du jemals einen Maler gesehen, der Rauch malen konnte?

I have been sometimes way too attracted by my own villains because in a way they seem to hold the secret to the heart of the narrative.

At times, when we had spent some time in a particular location and word had spread about our presence, people approached us for interviews. Surprisingly, these were often very poor or vulnerable people, typically women and frequently widows, who wanted someone to listen to their story, just for once. These were some of the most amazing conversations we had.

Come of it what may, as Sinon said.

Per combattere realmente il silenzio della tua morte, devo raccontare la tua storia, non la mia

The truth is that Trout, like Vonnegut and Ray Bradbury and many others, writes parables. These are set in frames which have become called, for no good reason, science fiction. A better generic term would be 'future fairy tales'. And even this is objectionable, since many science fiction stories take place in the present or the past, far and near.

I write almost always in the third person, and I don't think the narrator is male or female anyway. They're both, and young and old, and wise and silly, and sceptical and credulous, and innocent and experienced, all at once. Narrators are not even human - they're sprites.

We don't need a list of rights and wrongs, tables of dos and don'ts: we need books, time, and silence. Thou shalt not is soon forgotten, but Once upon a time lasts forever.

I write almost always in the third person, and I don't think the narrator is male or female anyway. They're both, and young and old, and wise and silly, and sceptical and credulous, and innocent and experienced, all at once. Narrators are not even human - they're sprites.

But the look on his face was so strange that I hadn't the heart to take his story away from him. He believed it, see. He believed the old gods were on Arthur's side just as he believed that winter would follow autumn and the sun would rise tomorrow. And I thought that maybe that believing would make him strong and brave and lucky when the fighting came, and maybe without it he'd be killed, or turn and run away, which was worse than being killed. So I kept quiet.

That's the trouble with a story spinner. You never know what's real and what's made up. Even when they are telling the truth, they can't stop themselves from spinning it into something better; something prettier, with more of a pattern to it.

He cometh unto you with a tale which holdeth children from play, and old men from the chimney corner.

I have found that in fiction one is freer to speak the truth, if only because in fiction the truth is not expected or required. You may easily disguise it, so that it is only recognized much later, when the story and the characters have faded into darkness.

The one undeniable talent that talking heads have is their skill at telling a compelling story with conviction, and that is enough. Many have become wealthy peddling forecasting of untested value to corporate executives, government officials, and ordinary people who would never think of swallowing medicine of unknown efficacy and safety but who routinely pay for forecasts that are as dubious as elixirs sold from the back of a wagon.

Jimmy Stewart wrote to my father on December 31, 1946, "More important than anything, thank you for giving us that idea, which I think is the best one that anyone has had for a long time. It was an inspiration for everyone concerned with the picture to work in it, because everyone seemed to feel that the fundamental story was so sound and right, and that story was yours, and you should be justly proud of it.