Quotes About Directors

I think in industries riddled with bias, you tend to hire women only if their previous work is very masculine, which is hilarious given that this is not how male directors are chosen.

Awards are important for all directors because they improve your working conditions. You're only as good as your last film, so if you get prizes or large audiences, then you get more money for your next film.

I always do stories that I believe in, characters that I find interesting, and directors who I want to work with. All these factors have contributed while making choices and continue to as an actor and as a producer.

I'm trying to learn things behind the camera and what a producer does and shadowing the directors.

My dream as a producer is to be able to build a company that can be a safe haven for artists, for directors and for writers and actors to do what they do best and let them have final edit. I'd like to build something to that effect.

Being a producer, I deal with a lot of different directors, and some of them would drive me insane with all the different histrionics, and the mystique that they carry.

I am no expert on tax; I'm a film producer. I read books and think about which ones would make good movies, and then I work with directors in order to make them.

As a producer, I'm quite nurturing, I like working with inexperienced, unseasoned directors.

I can't change what casting directors do or what producers do. I can only change what I do.

I think audiences, producers and directors included, develop crushes on actors (actresses in particular) and then lose interest and move on to the next one.

The popular image that Hollywood is ruined by difficult prima donna actors is nonsense. They're certainly very nice to directors. I can't say the same about producers, who I found difficult, paranoid, and certifiably insane, mostly.

As an actor, you're in the hands of producers and directors. It's important to find out who you're working with.

The phenomenon that is 'Game Of Thrones' has propelled many actors associated with it into the minds of directors and producers, and it's a fabulous position to be in. It's because it's so adored and respected, of such high quality with such amazing cinematography.

The idea that American producers and directors are choosing black British talent to save themselves a buck or two is ridiculous - it's because we're damn good.

I worked in feature film casting right out of college and spent a lot of time working with actors, directors, and producers.

If I can do quality work with wonderful writers and directors and producers... that's the cherry on top.

Hollywood's best producers and directors are in film, not TV.

There are so many directors who don't like any kind of interaction on set except for producers. I am the opposite.

All producers and directors want to make good films.

My producers and directors are pampering me like crazy. I don't mind being pregnant forever.

I want my sheer work to to speak for my talent and it will be quite an achievement, I believe, if producers and directors look at my work and offer me something.

I didn't watch a film after the 1960s. I have no idea who all were the good heroes, directors or producers in the '80s. The only film I watched after all those years was my own film.

The government should take a decision on whether to allow Pakistani actors in India or not, but I think directors and producers will themselves not cast Pakistani actors seeing the kind of opposition the country is witnessing against them.

I love producing. My dream as a producer is to be able to build a company that can be a safe haven for artists, for directors and for writers and actors to do what they do best and let them have final edit. I'd like to build something to that effect.