Quotes About Directors

Arthur Steele is getting very generous with his directors, isn't he?

Now, therefore, the Directors of the company are hereby ordered to see that precautions are taken to make travel on said railroad perfectly safe by using a screw with at least twenty-four inches diameter.

I'm only wanted by directors for the image I give off, and it makes me angry. I always wanted to be an actor and not a beauty pageant winner.

We all like indie directors - heck, I even married one... but we're divorced now.

Sometimes I feel indie directors are in the game so they can make a film to get hired to do a big film - that we're all doing this person's reel.

I really respect the Coen brothers as directors and as creative individuals and with the way that they handle the industry and the business side of things.

Malayalam industry is pretty awesome, and I will definitely do a movie in Malayalam. There are some great directors over there.

No one is infallible. I am not the only director who has flopped.

I've always said to people that auteurism is nice, but it's hypothetical, and gradually you learn how much or how little influence different directors had.

I've been pretty lucky to work with directors who were quite influenced by European cinema.

In a collaborative environment directors hire actors because they want their input, not just their bodies.

When actors give their input, it can be very ego-driven, and directors are scared of that.

I'm definitely one of those actresses who comes to a set knowing how I want to do a scene, and I definitely love input from my directors and my writers.

Bad directors will tell you they absolutely know how to do it, and how it has to happen; there's this insecurity that leads them to feeling like they have to control everything.

I would love to just keep working with really great directors who really inspire me.

We embrace the shoestring budget. We like being limited by the constraints. It inspires creativity. I don't know what we would spend money on. We don't hire actors. We see budget constraints as a personal challenge. We're like survivalist local commercial directors.

Every different director has another language - for instance, Hitchcock does not like any bright color ever, unless the story says 'there goes the girl in a red dress.'

I think the best directors provide you with a safe environment where they can instill you with confidence and allow you to try things out and not feel like you're failing or that you're doing it wrong.

From the initial days of my career I have always given importance to two things. One is to heed to directors instructions and the other is to have faith on my action director.

Usually male directors have to use foul language to get the job done. But I never came down to that level as being a women I wanted to keep my respectability intact.

I started out with V Shantaram. But my favourite director has been Gulzar, with whom I did intelligent cinema in movies like 'Khushboo,' 'Kinara' and 'Parichay.'

Through the early 1930s, Barbara Stanwyck established her reputation in a field overflowing with other young Broadway starlets: Bette Davis, Miriam Hopkins, Katharine Hepburn, Claudette Colbert, Joan Blondell. Barbara was lower-keyed and less mannered than Davis and Hepburn; less glamorous than Colbert. She was "real," and she also proved to be the personification of no-nonsense professionalism, making her popular with directors and coworkers alike.

I want to work with great directors. I want to work on good material with good actors. I've probably done 20 movies at this point and a lot of independents. It's been an incredible ride and I love it and I'm just going to keep going and doing what I'm doing.

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