Quotes About Discovery

Man, you don't know how I felt that afternoon when I heard that voice and it was my own voice.

I could read music and sing all the right notes at the right time. And over time, I literally found my voice, found a way to make sound.

The world is full of more interesting things than my voice.

The only thing new is you finding out about something. Like nothing's really new, but you reinvent it for yourself and find your inner voice.

It took me a long time to find my own voice, even after I started making my own music.

I fell in love with my voice. I had something inside of me that was like, 'I like this.'

I'm kind of still learning my voice and learning my style.

On-camera stuff just hit. I decided to do it to supplement my voice-over career, but I ended up falling in love with it, and it actually hit a lot harder than my voice-over career.

I always looked up to great actors and great films. A lot of my family would be like, 'Come on, you should get into these plays that are going on.' I'm like, 'Nah, nah, music's my thing.' I just fell into it. I moved to Atlanta, got with an agency out there, started doing little voiceover commercials, and it started getting kind of fun.

As a singer I tried on all these hats, these voices, these clothes, and eventually out came me.

I just felt like there was a world of cartoon voices that had to be discovered by me.

I'm constantly trying to introduce new voices in Tamil film music.

I was hugely relieved to discover there was a purpose for girls with loud voices.

I believe that the quantum of our knowledge will increase considerably in the coming years and that scientists will continue to be amongst the brave voices speaking out.

Sundance was started as a mechanism for the discovery of new voices and new talent.

The first time I went to Abbey Road and put those headphones on, I discovered I had two voices. I no longer had to shout in the studio, but I can't knock the Cavern or the other clubs because they gave me my strong voice.

In 2016, one of the things I really hope to do is discover new talent and help develop it. Take what I've learned and what I can do and help amplify those voices.

If you haven't heard my music before, 'Spirit Voices' is a great place to start.

Strangely enough, among my dad's things, I found the diary of an ancestor who was born in 1797 and became a ventriloquist in London. That was quite chilling. It described exactly how I was as a child but 150 years earlier - doing voices, pretending to be a ventriloquist.

As a professional cellist, I go to mostly classical concerts because that's the music I play, but I am also always trying to find out who the voices of our time are. I attend a spectrum of concerts that are close to classical - anything from Wynton Marsalis to Renee Fleming.

Finding new voices with fresh ideas is the hardest and most rewarding part of a television executive's job.

I came late to Sandy Denny and Fairport Convention. I don't know why, but that's the beauty of music - songs and voices are there when you need them, when you're ready to find them, whether in their time or after.

I like to spread myself out. Since I was a kid, I always recognized some void.

After touring an album, you have this strange void that follows it, where you feel slightly displaced, like you've just finished with the circus and you've got to find a new job. You think, OK, what shall we do next.