Quotes About Content

Everyone seems to think that digital technology devoids the medium of content, but that is not true at all. If anything, it broadens the content.

We asked people why they didn't go to MySpace. A lot of people thought it was too hard to use, they thought it was a music site, or a content site. Privacy was a concern, or they'd say it was a site for teenagers.

Our goal is really to make sure that 'Instagram', whether you're a celebrity or not, is a safe place and that the content that gets posted is something that's appropriate for teens and also for adults.

Big telecommunications monopolies - many of whom now seek to be content providers as well - shouldn't be able to price others out of the market simply because they can't pay as much as the giants.

Seriously, we are in the midst of the convergence of voice and data and that is challenging the infrastructure of the telephone companies. There are huge commercial interests in the basic technology, but even more so in content delivery and control of content.

Television is growing. It is a huge market for great content.

Starting with 'Forever, Interrupted,' I somehow convinced myself that in order to create content, I had to consume content. What this means is that I have legitimized binge-watching television and told myself that I must do it for work.

One has to be careful about the kind of content that's shown in films or on television.

Wayfarer is built on the idea that we can actually make a huge difference by creating entertainment and television and digital and branded content with a message. It doesn't always have to be really, really inspiring or really earnest. We call it chocolate-covered broccoli.

It is a golden age of television, with Amazon, Sky, and Netflix. They give opportunities to people to develop their own projects together. So much stuff has to be made. There has to be more opportunity.

It's an interesting thing to come to New York and do a television show. You're doing 10 hours of content in four and a half months. Eighty-hour weeks are par for the course.

People don't really see television shows and movies as different anymore. They expect the same quality.

It's not enough just to put great television shows out anymore.

What I try to do with my career as an actor is what I've learned in the theater: I am rigorous with myself as to whether I'm telling the truth, and I try to surround myself with filmmakers and content creators who are also interested in the pursuit of the truth.

Generally, I am losing faith in telly, as we do have good dramas but not as many as there should be.

I'm quite happy sat in front of the telly watching everything on Sky, Netflix, Amazon Prime. And the one called Roku. I've got the lot.

I don't do that much telly because I want quality, not quantity - you've got to be happy with what you're putting out.

Telugu and Tamil industries keenly watch Malayalam movies and are appreciative of the content, be it 'Ustad Hotel,' 'Premam' or 'Bangalore Days.' They've also been listening to our music. That's how I was approached for Telugu films.

What is the "substance" of story?

Would I see everything stripped of meaning, form, content, life, when things had been pushed to a kind of completion?

All of a sudden it didn't bother me not being modern.

what I enjoy in a narrative is not directly its content or even its structure, but rather the abrasions I impose upon the fine surface: I read on, I skip, I look up, I dip in again. Which has nothing to do with the deep laceration the text of bliss inflicts upon language itself, and not upon the simple temporality of its reading.

To induce a collective content for the imagination is always an inhuman undertaking, not only because dreaming essentializes life into destiny, but also because dreams are impoverished, and the alibi of an absence.

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