Quotes About Exploration

There's a great tradition among the English of writing about Berlin. It's kind of a state of mind, almost. That even translates in terms of music. A lot of people go to Berlin with the idea that it's a state of mind.

I would tell filmmakers: 'Don't just be seduced by the same old, same old. There are interesting things you can explore that may get your film out there to audiences better than the traditional distribution mechanisms.'

Beyond the traditional areas of cooperation, we have entered the digital age with its own opportunities. The area of fintech needs to be explored.

Don't be afraid to adapt new ingredients into your own techniques, and traditional ingredients into new recipes.

So many of the sounds that contemporary composers were trying to create were to be found in the traditional musics of the world. That was encouraging but also little daunting to think that you had to work so hard to be new and yet it was old.

Traditional alpinism is to go where the others are not going and to be self-reliant.

I started out playing traditional jazz, and I still do: I love standards, I love the music. But it must move on, and it must live and breathe, and continue to grow, and continue to change, and continue to mesh with other music - all that kind of stuff. Jazz can be on the playground too, you know.

I'm trying to go beyond the traditional cliches of an African safari.

Kids don't need to be taught the value of making; they are natural makers, at least until traditional education makes them afraid of making mistakes. The long-term value of making for kids is in learning to become an active participant in the world around them rather than a consumer of prepackaged products and solutions.

By the mid-'60s, recorded music was much more like painting than it was like traditional music. When you went into the studio, you could put a sound down, then you could squeeze it around, spread it all around the canvas.

First, it doesn't surprise me that traditional music has experienced a kind of exhaustion in the 20th century - not forgetting that many musicians started to look outside the traditional structures of tonality.

One of the characteristics of North American culture is that you can always start again. You can always move forward, cross a border of a state or a city or a county, and move West, most of the time West. You leave behind guilt, past traditions, memories.

I've seen a lot of the United States, having stayed in so many different cities and towns for work. It's such a strange and fascinating country, and instead of learning about it through a textbook, I would rather discover its history and traditions and institutions through fiction and nonfiction writers.

I'm one of those pianists who tends to ignore every existing recording and lots of traditions about playing pieces when I start.

I find that my Israeli background actually helps me to break some boundaries because we don't have such long traditions. We took traditions from Europe, from the Middle East, and we were encouraged to explore and adapt things.

I moved from a mountain with one traffic light to New York City when I was 17, and it was an amazing, eye opening, creative adventure. I would walk through the streets of Manhattan looking up at these huge buildings, amazed that I didn't know a single person in any of them.

My wife and I, we like to ride where there's not much traffic.

I don't think I tell stories of tragedy. I think I tell stories of love. Even though you're full of tears, I hope that you leave the theatre with your heart feeling like it's going to explode out of your chest. And yes, you've been through the tragedy, but it's ultimately hope that I think you're left with.

'Greek Street' is a very strange beast. I think of it as 'The Long Good Friday' meets 'Agamemnon.' A way of using those fantastically rich stories from Greek tragedy to take a look at our world and to explore some of the things I think about this world.

When you think about exploring deep space, it's very dangerous for humans. To potentially sacrifice human life is a delicate proposition. On the flip side, if you want to send a robot to another planet for an extended period of time and at some point you know it'll cease to function, it's not considered a tragedy.

A tourist follows a trail; a mountaineer finds one.

We were now arrived at the close of our solitary journeyings along the St. Joseph's trail.

I could never resist the call of the trail.

I'm a country girl. We lived in a neighborhood, but at the back of the house, there was a little pathway with a creek and a trail. And we would go there, me and my brother. It was always an adventure in our imagination.