Quotes About Exploration

I've been devoting quite a bit of my time to harmonic studies on my own, in libraries and places like that. I've found you've got to look back at the old things and see them in a new light.

South Africa had a long record of studies in prehistory, going back to the end of the last century.

I began my studies in a sound and electrical engineering program, but I ultimately created a major called 'Ritual Art.'

I studied social studies at Harvard, which makes it sound like I was in seventh grade. It was a choose-your-own-adventure major, where you could decide what you were going to focus on.

When in school, I was interested in many things other than studies.

After my schooling in Meerut, I was sent to Allahabad for further studies to become an IAS officer. It was there that I got the freedom to do whatever I wanted to, and it was in Allahabad that I first did theatre.

I always think my job is like any other job. Every job has good and bad parts, and mine is to be a musician. I know why I started making music and I always knew there was no plan B. I'm passionate about it. I love being in the recording studio and researching sounds with the possibility of discovering something new. That motivates me.

When I was a kid and I bought a record, I ripped that thing open, I wanted to know who was playing what, what studio it was cut at, who was the string arranger, who was the engineer.

I've always tried different stuff in the studio. I use rakes, spoons, cans... I'm a surround-sound type of guy.

When I'm in the studio, there are no boundaries.

I used to record but just in my own studio or in my friend's back when I toyed with the idea of being a rapper.

I like to explore a lot of textural, arrangement aspects in the studio.

I just go in the studio and write on the spot and see what comes out.

When I'm working in the studio, I like to be on my own because I don't know where I'm going; I want to be completely free to spend lots of time on songs.

I can't just go into the studio with one idea and be all in on that, 100 percent. It takes me a while to arrive at something that feels like it's finished.

I have a rough idea when I walk into a studio though.

Nowadays, I really like playing in studios.

I never really learnt from anyone. I just spent a lot of time at home, knocking things out. It has been interesting going into proper studios, working with people who know everything. But I find it doesn't hinder me.

I've got a design for an airship in my head, which I'm going to play around with. I've got ideas for buildings and studios and all kinds of stuff.

When you run into something interesting, drop everything else and study it.

We often think that when we have completed our study of one we know all about two, because 'two' is 'one and one.' We forget that we still have to make a study of 'and.'

The study of Nature brings into a harmonious whole the questions of the Infinite, the Historic, and the Microscopic as part of the Great Creator's work.

I became really interested in the study of consciousness.

You have to have conviction and completely question everything and anything you do. No matter how much you study, no matter how much you know, the side of your brain that has the smarts won't necessarily help you in making art.