Quotes About Flow

started a drip to keep the water flowing through

When people think of someone being prolific, it's like, 'He's got a vault with 5,000 songs in it,' or something, but I just kind of pick them out of the air when they float by.

I have worked with this red all over the world - in Japan, California, France, Britain, Australia - a vein running round the earth. It has taught me about the flow, energy and life that connects one place with another.

Memory is funny. Once you hit a vein the problem is not how to remember but how to control the flow.

Everything I do is somehow connected to velocity.

I believe an open Internet is essential to the flow of information, goods and services that will grow Vermont's economy.

I'm versatile, so however the beat makes me go on it, that's just what it do.

I always like to think that I make movies that are like Nirvana songs. They have a slow verse, and then they pop into high gear, and then they go back into slow, and then they pop into high gear again.

We play a beat for 15, 20 seconds and know if we want to get on it. When we record a verse, it's no more than 15, 20 minutes. We don't have a pen and paper. We bounce off each other.

If I do a song with a chorus and a verse, it takes me about 25 minutes. If I do a song with two verses or stretch out the song, it takes me about 30 to 35 minutes.

A song doesn't happen as a whole verse; it happens linearly, line by line, almost word by word, phrase by phrase. And if each phrase, each line, has a proper emotional feel and connects to the line before it and the line after it, the song will be doing what it should be doing.

I just start playing music and eventually I sing something, a line of a verse or a B section or a line of a chorus, and the line that I end up singing is related to the music I'm playing, if that makes any sense. And I go from there.

The real challenge of writing songs isn't just writing a bunch of parts - like a verse, chorus, verse - but making something that flows together, that brings you back.

If you've got a verse with a lot of rhythm, you want to pair it with something that doesn't.

You can always hear me breathing during my verses, but that breathing becomes part of the music.

If there's a track that's rhyme friendly, the verse will basically write itself. If the track is less rhyme friendly, you have to put forth a little more effort to get the song out.

Now I think of no one anymore. I don't even bother looking for words. It flows in me, more or less quickly. I fix nothing, I let it go. Through the lack of attaching myself to words, my thoughts remain nebulous most of the time. They sketch vague, pleasant shapes and then are swallowed up: I forget them almost immediately.

Now I think of no one any more. I don't even bother looking for words. It flows in me, more or less quickly. I fix nothing, I let it go. Through the lack of attaching myself to words, my thoughts remain nebulous most of the time. They sketch vague, pleasant shapes and then are swallowed up: I forget them almost immediately.

You know how much is inside you and you have ideas of how to get it out into the open. Tap the source and let it flow and don't waste a drop by taking it for granted.

surging around the track, or through city traffic

le monde est émotion à l'état pur, allant et venant entre ses créatures.

Follow what feels good in the moment, every moment, and it will lead you through a most excellent life.

Those which can be experienced in the present life, can of course, be no others than such as human nature in the course of the present life is susceptible of: and from each of these sources may flow all the pleasures or pains of which, in the course of the present life, human nature is susceptible.

Hari ini memanggil-manggilmu, mencoba mendapatkan perhatianmu, tapi kau terpaku pada hari esok dan hari ini pun berlalu tetes demi tetes seperti air di dalam talang.