Quotes About Perspective

Empathy is about two people - two people meeting, getting to know each other and tuning in to what the other person is thinking and feeling.

I think with every writer there are two people there.

No two people take on the information of being admirable and being admired in the same way.

No two people see things the same way.

The act of seeing any film generally is you knowing more than the characters, even if it's the classic Hitchcock shot of two people talking and a bomb being under the table. Part of the pleasure of it is seeing where people go wrong, and the irony of situations.

I don't do formal debates, because formal debates where you have two people up on a stage in equal status, and each of them is given 20 minutes to give their point of view, and then 10 minutes for a rebuttal, or whatever, that creates the illusion that you really do have here two equal points of view of equal scientific standing.

Even if it's a thriller or a comedy, it's always a love story for me, and that's what I concentrate on, because the love stories are my surrogates for the argument: two people in conflict that see life differently.

I could get my camera and point it at two people and not point it at the homeless third person to the right of the frame, or not include the murder that's going on to the left of the frame.

Science, literature, and common sense tell us that the self is a fickle thing, subject to revision in real time, and that the chasm that exists between any two people exists inside each and every one of us.

I always think that period between the ages of 18 and 24 is such a bizarre stage, and the two people at either end are always very different.

I run the material, always with two people, sometimes three. We all see things so differently, so to get a couple of people's perspectives on what I'm doing and the material itself is insanely helpful for honing in on what to take into the audition room.

No two people react to things the same way, and even the same person reacts differently at a different time.

There is nothing more amusing than when two people known for being non-objective argue over objectivity. This is the summation of Keith Olbermann vs. Ted Koppell.

Two people making a beat is really like one person making a beat. But you have another person's brain. So what might sound good to you, they could flip it a different way. It's really a collaborative effort, really.

When you have two people who are the smart girls, then the 'smart' ceases to exist; they're just women who are smart.

I could relate to Balu in the way he speaks, his mannerisms and how he cannot understand why such a big deal is being made when two people fall in love. It's a fresh perspective of 'Maro Charitra,' something like what Anurag Kashyap did with Devdas in 'Dev D.'

Nobody remembers young Kasturba... Once I called Basu Bhattacharya and told him 'I am only getting roles of a mother.' He told me, 'There are only two people who can play young and old with equal ease, you and Sanjeev Kumar. So, don't feel bad about it.'

Teachers complain a lot about how tough their job is. But, you know, the day begins in most schools at nine o'clock, ends at 3.30 P.M. They have six weeks' holiday during the summer, two weeks' holiday at Easter and at Christmas. Yes, they don't just work when they're at school, but even so, compared to a lot of other jobs, it's not that tough.

Initially I took the job because I thought it would be really easy. I was like, I'll take the paycheck because I want to do my own movie. That didn't work out. In the first two weeks I fell in love with Kratos from an animation perspective; I'd never been able to do anything like this.

My teammates will tell you I find it hard to remember what happened two weeks earlier, let alone what happened a decade and a half back.

We live on a two week cycle in our house so if I go away for two weeks, it's too long. And if I'm home for two weeks, it's too long.

I'm very interested in how we read things, especially the link between seeing two-dimensional and three-dimensional images, because of how I read.

Things danced on the screen do not look the way they do on the stage. On the stage, dancing is three-dimensional, but a motion picture is two-dimensional.

Our universe - it's three-dimensional, but we can pretend it's two-dimensional so it's like this sheet of paper - and we live in Pasadena over here and London is over there, and it's thousands of miles from Pasadena to London.