Quotes About Perspective

As a viewer, I care about people, I care about characters, I care about perspective.

The power and appeal of Documentary is the way it alters and plays with the way the viewer relates to and understands the subject.

When we make the show, we are always talking about how the show is really in between what we make and what the viewer thinks of it.

As a writer, I've tried to avoid strong opinions about morality. You just want to present things as they are and let the viewer come to their own conclusion.

Amplify, clarify, and punctuate, and let the viewer draw his or her own conclusion.

I feel my work is made for one being, one individual. You could say that's me, but that's not really true. It's for an idealized viewer.

My work has threads of ideas from all over the place. I try to crystallise them in something simple and direct that the viewer can then take where they want.

I think if you're a regular viewer of Fox News, you're among the most cynical people on planet Earth. I cannot think of a more cynical slogan than 'Fair and Balanced.'

I don't like the idea the viewer can kind of sit there and go, 'Make me like this person.' People aren't inherently sympathetic.

The art of photography is all about directing the attention of the viewer.

All movies assault the viewer in one way or another.

We want to give deep insight into sports at all levels and bring the viewer inside the journey for an entirely new perspective.

As a pundit, it's important to tell the viewer something they might not know, be unbiased and not sit on the fence.

The real change that paintings undergo is in the perceptions of the viewer.

For me, photography is not just about exposing film, it's about exposing the viewer to something new, a place they haven't gone before, but most importantly, to people that they might be afraid of.

Sometimes when I hear commentating, it's sickening. People who never played the game, people who never played in the league have an opinion, and that's all it is. You are here to educate the watcher or the viewer. Sometimes it comes off as personal.

A lot of people don't like to eat on camera, but I eat on camera all the time. I'm standing in for the viewer.

Sometimes when I hear commentating, it's sickening. People who never played the game, people who never played in the league have an opinion, and that's all it is. You are here to educate the watcher or the viewer. Sometimes it comes off as personal. I don't ever want to come off like that. My opinion is my opinion about someone.

You can't create a movie as you think about it. And what's in the scene is not what's being seen. A shot always means something other than what it is. All are vehicles. A landscape is just a vehicle. The viewer might think different things, and I'm not going to intervene.

You finish a film not in the editing, but in the conversations that audiences have with themselves - and in that sense, every viewer is making a slightly different film. And that's wonderful.

The problem with shooting in Paris is, it's been shot to death. When you're in it, you already think you're in a movie, so how do you get away from that feeling, and give some frisson to the viewer?

The painter has total control over what they're showing to the viewer.

The need to look behind the curtain is great for a filmmaker. But whether you want to deconstruct what you like as a viewer, what you like and don't like, I wish we could let films stand on their own a little bit.

I always put myself in the audience's place and see if, as a viewer, I would want to see the film. If yes, then I want to know who's directing it, what my character is, and if it's impactful. If all these points fall in place, I'll do the film. If not, then I won't think twice before saying no.