Quotes About Introspection

I am a Facebook voyeur. I feel bad about it because I never put anything on there, but I find it fun to sit there and watch peoples' lives go by. Or whatever lives they're presenting.

I don't like being a voyeur, looking into other people's marriages.

I am well-nigh resolv'd to write no more tales but merely to dream when I have a mind to, not stopping to do anything so vulgar as to set down the dream for a boarish Publick.

I think the whole aspect of social networking is vulgar and repulsive in a lot of ways. But I also see why it's appealing - I've had that little high you get from posting stuff online. But then you think, 'Did I need to say that?' I've explored that enough to know to stay kind of quiet these days.

I started to admit vulnerabilities and things that I was trying to hide before. Shyness, anxiety, guilt and all those things that I have in me are now quite freely shown.

There are a lot of female characters out there that, when they fall on hard times, they sort of stew in their fears and negativities and vulnerabilities. And there's something that's really truthful about that - when I've gone through hard times or breakups, I've spent a lot of time on my couch overeating and crying with friends, that's true.

I think you start in middle life to recognize your vulnerabilities, if you're lucky. You admit them and people find that interesting.

Stealing Chanel' was very different for me as an artist. I had to embrace and expose my vulnerabilities, instead of manifesting a character.

I feel like I'm a much better person when I'm developing my imagination and my innocence and my vulnerability. I like that version of me better than the version where I'm just working on my analytical mind.

Everyone has their moments of solitude, difficulties, and vulnerability.

I'd always tried to resist playing the supervirility thing. I liked showing the vulnerability of age.

What I love most about SZA's music is her unflinching vulnerability.

Being from a background of dance music and what you might call club music or electronic music, I think something that gets neglected in that scene is personal vulnerability.

I like characters who have blind spots and are full of themselves, but there also needs to be vulnerability.

There's a vulnerability in music but you've also got to protect your sacred place and have a place you can still retire to that no one else knows about. So that's a thing I just try to balance.

I actually think it's harder to play vulnerability, because you're having to delve deeper into portions of your own psyche, what it is that makes you human.

I'm fascinated by male vulnerability.

There's something to be said for being sleepy-eyed. I love sleepy eyes - that sort of vulnerability of being slightly discombobulated because you don't know where you are. But I like that vulnerability. It's sexy to me.

I think what makes me different is that... I am comfortable with expressing my vulnerability. I think designers often want to just put the loveable ideas out there. Ones that are imaginative but not very introspective. It is more rare for a designer to explore his or her disappointments and moments of disillusion and doubt.

There has to be a balance between power and vulnerability. That's something I feel I have in my own life, something I struggle with and - on a good day - like about myself.

I know my ticket is vulnerability. Most people point to some emotional experience, some hardship, some high or low when they talk about my music... a time when they need to feel those feelings more.

It takes a lot of confidence for people to be expressive, but it also takes confidence to show vulnerability and open up right away. I think that tells a lot about someone.

If you're open, you're vulnerable - but vulnerable to being changed and to being a better man.

A journal is your completely unaltered voice - it's just for you. And if you know that voice, and you like it, you can bring it out to everyone else, and that's the most honest and vulnerable thing you can do.