Quotes About Consonance

I think John Landgraf sees things in the same way I do. We see eye to eye on a lot.

Music in movies is all about dissonance and consonance, tension and release.

Where I think the American actor is slightly at a disadvantage is in vocal technique. I don't think that words are their friend in the same way that English actors are used to using words: understanding about consonance and how to shade a vowel to show emotional color.

In fact, it is not a question of going back to the past, but of connecting with it-and also, by that very fact, in a spherical conception of history, to connect to the eternal and cause it to surge back, to have consonance in life, and to disentangle itself from the tyranny of the logos, the terrible tyranny of the Law, so as to reestablish the school of the mythos and life.

Music in movies is all about dissonance and consonance, tension and release.

This Midwest. A dissonance of parts and people, we are a consonance of Towns. Like a man grown fat in everything but heart, we overlabor; our outlook never really urban, never rural either, we enlarge and linger at the same time, as Alice both changed and remained in her story.

If a person plays dissonance long enough, it will sound like consonance. It's a language that was alien and then it's less and less alien as it continues to live.

Make Sure Your Actions Are in Tune

Even nature is concerned, for it leads us to choose the third as the sole consonance which may makeup for the harshness of the dissonance. The third despite its imperfection becomes the sole object of our desire after a dissonance and gives new charm to the perfect chord. It is for this reason that the rule for resolving

This is what Zarlino means when he says that the bass should proceed by separated intervals, for intervals cannot be consonant unless they are separated. Although Zarlino also says that the bass

Alliteration. It's when you repeat the same consonant in a phrase," Memphis explained. "Huh. I was hoping it was something dirty.

The creation and destruction of harmonic and 'statistical' tensions is essential to the maintenance of compositional drama. Any composition (or improvisation) which remains consonant and 'regular' throughout is, for me, equivalent to watching a movie with only 'good guys' in it, or eating cottage cheese.

all the atoms vibrating on the same frequency—which

Dissonance is as fatal in ailments of the mind as it is in those of the body.

Thus the pure archetypal harmonies, and their echoes, the musical consonances, are generated by dividing the circle by means of construable, regular polygons; wheras the 'unspeakable' polygons produce discordant sounds, and are useless in the scheme of the universe.

Which of you would be silent - when all else sings together in unison?

As long as our ideas are the same, we will never be apart.

One thing we were looking for from the start was players who really fit together, who sounded in tune.

For three things concur in creating beauty: first of all integrity or perfection, and for this reason we consider ugly all incomplete things; then proper proportion or consonance; and finally clarity and light, and in fact we call beautiful those things of definite color. - William

three things concur in creating beauty: first of all integrity or perfection, and for this reason we consider ugly all incomplete things; then proper proportion or consonance; and finally clarity and light, and in fact we call beautiful those things of definite color.

Porque de tres cosas depende la belleza: en primer lugar, de la integridad o perfección, y por eso consideramos feo lo incompleto; luego, de la justa proporción, o sea de la consonancia; por último, de la claridad y la luz.

For three things concur in creating beauty: first of all integrity or perfection, and for this reason we consider ugly all incomplete things; then proper proportion or consonance; and finally clarity and light, and in fact we call beautiful those things of definite color.

Consistency: The strategy must not present mutually inconsistent goals and policies. Consonance: The strategy must represent an adaptive response to the external environment and to the critical changes occurring within it. Advantage: The strategy must provide for the creation and/or maintenance of a competitive advantage in the selected area of activity. Feasibility: The strategy must neither overtax available resources nor create unsolvable subproblems.

The existence of dissonance, being psychologically uncomfortable, will motivate the person to try to reduce the dissonance and achieve consonance. When dissonance is present, in addition to trying to reduce it, the person will actively avoid situations and information which would likely increase the dissonance.