Quotes About Films

I think that Tyler Perry's genius really has been to tap into the domestic market. He knows what his audience is based on, having toured America for so long, and then giving them the blueprint for his films prior to the films coming out, and then the films have the built-in audience because they've seen it in theaters already.

After the release of 'Ashta Chemm,' several producers and directors came with similar roles in their films. But I doesn't want to do stereo type roles and do something different for each film, and refused them.

In films, I didn't crave the type of attention I had sort of stumbled into in my music career. And I do not audition well. I'm really not good at it. Early on, I did movies like 'Alpha Dog' and 'Black Snake Moan' because the directors didn't ask me to audition.

Actually two films is too short a time for an actor to get typecast.

I feel that I have not got my due in films. However, I did a lot of good work on television and that's why I never got typecast.

I started off with films similar to 'Blood Money' - intense, emotional dramas. But as is often the case, the industry and audience typecast me and I decided to break away. Hence, followed a spate of comedies.

An era that I specifically like is sort of late '50s, early '60s. I guess mid '50s, too. I like these types of films that deal with post-WWII America and this more complex leading man that kind of emerges from that.

There are two types of films - one made by the big-time producers, the other is low budget stuff made by some producers who make films for the heck of it, they complete their films for small amounts, sell it at low costs with almost no publicity.

I try to be eclectic in my choice of films. If I've done anything that's intentional in my career, it's to try to do as many different types of characters and as many different types of genres of movies that I can.

I think that, back in the day, there used to be a lot of horror films that kind of had a checklist of what went into making the 'perfect horror film', and I think now people are raising the bar in the industry, as far as the types of horror films that are being made.

I'd love to do action-y types of films; you know, as long as they're good stories.

Certain types of films will never test well. My films never seem to test well.

I'm really interested in mythology and folklore. I'm interested in moralities, why we're here, faith... all of these bigger questions that I think we can place in films that allow us to question and give us a safe place to feel. Those types of questions can pop up in all sorts of different types of films - drama, comedy, action movie.

Down South, I have predominantly acted in typical candy-floss films, where I have played cheerful college-girl roles with songs and romantic scenes.

I have registered few titles like 'Bharat Bandh,' 'Calendar Girl,' 'Money Politics.' The titles just intrigued me, so I registered. I had a title, 'Jai Ho,' which I gave to Sohail Khan for his next film with Salman Khan. These are typical Madhur Bhandarkar kind of films. I may make a film or not on such titles... not sure yet.

I do more films than television, and in Mexico, they are more situational comedies - not the typical telenovela.

I love directors who aren't going back to the stereotypes, who are helping write and create roles for women that are not in the typical Hollywood box. I'm very, very interested in films that are going outside of stereotypical roles for women.

I've been influenced by a lot of films. And a lot of them are the typical interesting, artsy films. But I haven't talked enough about how there are those few big blockbusters that really rock your world.

I love doing movies that are content-driven, but at the same time, I would love to dance around trees and do those things that are typical to Bollywood. I have grown up watching such films and I would love to be a part of them.

I think we kind of changed how people did humans in CG animation after. If you look at films before 'Incredibles,' they tended to be photorealistic in a clunky and ugly way, with pores in their skin and too many eyelashes. It's kind of disturbing. And since, the designs have gotten a lot more playful in a lot of people's films, not just ours.

Do I like how digital films look? Sometimes, but sometimes it looks flat, and ugly.

My movies have always done pretty well in the UK - 'The Matrix' films did very well in this country and I do like the crews here and the people we're working with here.

Having my film premiere in Cannes has always been the ultimate dream for me. It is a combination of the elegance of the festival, the setting and the quality of films that premiere there.

Sometimes I find some movies patronizing, which I feel is the ultimate crime.