Quotes About Realism

What good is making a jewel if nobody see it? But cost depends on the story. To get those performances in 'Biutiful,' you need that time. You need 60 takes in a scene and a year to edit. It's not realistic to do it any other way.

I refuse to go in a home and paint a picture saying things like, 'If you come with us, you'll be taken care of for the rest of your life by the program and by our alums,' even though you may only be in school for a year or two. How preposterous does that sound?

Sometimes fans... they want more and more and more, and they think you win a national championship every year. It doesn't work that way.

I've learned over the years that people are human and have mood swings, regardless of how talented they are. Today, I'm looking at life from a realistic point of view instead of the way I would want things to be.

I am most attracted to characters and stories that I can relate to. The traditional formula of 'larger than life' I never found attractive.

I'm not really interested in doing a traditional romantic comedy where everything ties up neatly.

The subject of a good tragedy must not be realistic.

Somewhere along the line, positive thinking seems to have been confused with magical thinking. There's a notion that if you think positively enough, you can make anything happen by using the power of your mind. All the positive thinking in the world won't deliver good fortune or prevent tragedy from striking.

We live lives that aren't broken into neat three-act structures. On any given day anything can happen, from the hilarious to tragic. So why can't my movies be like that?

I trained as hard as I could, I ran as much as I could, I sparred hard, I did everything right. I did everything I could possibly do at the age when I could fight. You have to be realistic; you can't say, 'Oh, I am smarter now, older and I can punch harder.' You think you can, but you can't.

I'm a self trained, autodidactic artist, so all I was ever trying to do was to draw as realistically as possible - but that's what comes out, because I don't really know how to draw! I think when I draw characters, I'm able to reduce them down to little marks that capture the most distinct elements of them.

When learning boxing and martial arts, there wasn't any fakery in my training. When teaching you the basics of fighting, even though it's faked for the camera, they teach you to do it for real.

I feel like a lot of girl characters in anything usually end up being either extremely tough or extremely ditzy. There's always some sort of extreme personality trait that they have. I like to try writing girls that feel like normal people, like normal women that you'd meet in real life.

What I love about 'Breaking Bad' is the reflection of many people's - it's more real in terms of people have faults, people have character traits that they don't like about themselves. It resembles more of what the human journey really is and it's less fantastic and hero-driven than other characters and shows that we watch.

The first season of 'Community' stumbled a bit because the plotlines too often veered into realism, but that is not a problem anymore. Not when prize episodes concern a campuswide blanket fort, or a secret garden with a magic trampoline.

We know that no algorithm can solve global poverty; no pill can cure a chronic illness; no box of chocolates can mend a broken relationship; no educational DVD can transform a child into a baby Einstein; no drone strike can end a terrorist conflict. Sadly, there is no such thing as 'One Tip to a Flat Stomach.'

But what I think I like about coming-of-age stories is that there's everything in them. It's a genre that kind of contains everything: you have the chronicle, you can go into naturalism, but it's also about transforming physically, so it's kind of a fantastical genre.

Film has lost something in the translation to high tech. It's become so super-real. It's with digital this and stereo that, and everything's like a CD.

'Transparent' was huge for me when I first saw it. I felt that, from an authorial point of view, no one was trying to sell characters to us, you know? It's the idea of not having to adore these characters and want to cuddle them; you just have to be into them and their psychology and be compelled by them.

I have always enjoyed dealing with a slightly surrealistic situation and presenting it in a realistic manner. I've always liked fairy tales and myths, magical stories. I think they are somehow closer to the sense of reality one feels today than the equally stylized "realistic" story in which a great deal of selectivity and omission has to occur in order to preserve its "realist" style.

Nothing is more hateful to me than photography coated with gimmicks, poses and false effects. Therefore let me speak the truth in all honesty about our age and the people of our age

We must explain the truth: There is no free lunch.

I've managed to stay alive out here in the Ruin because I'm a realist. I allow the truth to be the truth, no matter how much I might want it to be something else.

There is no realism in American films. No realism, but something much better, great truth.