Quotes About Characters

Beware 'good' main characters who have a limited repertory of culturally acceptable feelings, while your evil bastards have a full range of vivid, passionate feelings.

I am careful about fiction. A novel is not a tract or an essay. If I want to write about land reforms, or Hindu-Muslim relations, or position of women, I can do it as it affects my characters as in 'A Suitable Boy.' I could only write about issues specifically through essays. But I'll do that only if I have something worthwhile to say.

I was so obsessed by Lisbeth Salander and all the characters, but of course if you're going to write a crime novel worthy of Stieg Larsson, you need a plot, don't you?

Real history is far more complex and interesting than the simplistic summaries presented in Wikipedia articles. Knowing this allows you to question received wisdom, to challenge 'facts' 'everybody' knows to be true, and to imagine worlds and characters worthy of our rich historical heritage and our complex selves.

The field of ageing research is full of characters. We have hucksters claiming that cures for ageing can be bought and sold; prophetic seers, their hands extended for money, warning that immortality is nigh; and would-be Nobelists working methodically in laboratories in search of a pill to slow ageing.

I was too ashamed and afraid to confide in friends, and wanted to convince others and myself that my marriage was a success. I lost myself in my writing. Finding ways for my characters to overcome their problems and make their relationships work helped plaster over the wound caused by my inability to make things right at home.

From the early days of the Raj, Shakespeare had been woven into the fabric of India's education, and my father understood that in a culture rich with storytelling and fantastical tales, Shakespeare's characters and storylines resonated in a powerful way.

I have grown up reading Marvel Comics and Marvel movies with their intricately woven storylines. It is fascinating to see how Marvel has created characters and stories that resonate so well with audiences across the globe, making movies at a scale that one had never before imagined.

I do not choose characters because I think, 'Wow, that woman is so strong.' I chose these characters with utmost conviction because I think they were realistic enough to exist, and I really liked the scripts.

I've been told I've done a lot of flop movies. And I think, 'Wow, I've never considered them flops!' I've loved every character I played.

It's hard when you play something that people are like, 'Wow that's really cool - you just did something really epic,' because you're not always going to be playing epic characters in a role.

It's always hard to wrap up a series. The longer I spend with the characters, the more they become like friends.

I think a lot of my songs are very silly and very stupid, written to entertain people, but in the end, I always come to that last line, and I feel that I have to wrap this up with a bit of dignity and a little tear in the eye; otherwise, the joke would be on the characters in the song.

My childhood was influenced by the roles my father played in his movies. Whether Abraham Lincoln or Tom Joad in the 'Grapes of Wrath,' his characters communicated certain values which I try to carry with me to this day.

One lesson I learned from 'The Monstrumologist' was never to get too attached to your own characters. That's harder in practice than in theory. At the end of the third book - which coincided with the end of my contract - I was an emotional wreck. I mourned Will Henry and Warthrop.

When I tell people there are three stories in 'Thunderstruck' that were from the same wrecked novel, they want to guess what they are. Nobody has. There are no characters or timelines in common. They're structured very differently. A good novel wouldn't have pulled apart so easily.

I've wrestled just about everybody there is to wrestle, done just about every character reincarnation that I can come up with.

In comic books, every character exists in this comic book world, and the wrestlers were the same thing. They were responsible for creating that world and putting it out there - having the confidence to go forward and do that and behave in a certain way.

Even in terms of the technical stuff there's a very traditional British flavor that comes out. Our characters are influenced by our culture so there's definitely something unique about British wrestlers in the U.S.

You know a lot of times wrestlers get too full of themselves. They can't separate themselves from the characters. They get used to the excitement, the energy, the lifestyle and the money and with a lot of these guys, when it stops, they self-destruct.

A lot of people ask me, like, how the characters are different between Nitro and Morrison and Mundo, and the biggest difference is just the names. Like, wrestlers are usually a version of yourself, and the versions of myself haven't really changed that much.

The cool thing about pro wrestling is we do a lot more acting as far as characters in general than MMA. I know a lot of people like the MMA fighters because they like the rugged look.

The best ones - Hulk Hogan believes in Hulkamania. It's not a thing he's selling here. It's real. He knows it's real because he goes to the Mall Of America and everybody goes insane, right? Wrestling is real. Those characters are real.

I just had the absolute best luck in the world in terms of meeting The Young Bucks, and they might look like wild little rock stars who are irresponsible, but they are business geniuses. They set up the deal with Hot Topic, and they're going to be the first 7-figure downside characters that New Japan Pro Wrestling has.