Quotes About Characters

1) The elements of fiction are its episodes and incidents, its characters, and their thoughts, speeches, feelings, and actions. Each of these is an element in the world the author creates. By manipulating these elements, the author tells his story.

become at home in this imaginary world; know it as if you were an observer on the scene; become a member of its population, willing to befriend its characters, and able to participate in its happenings by sympathetic insight, as you would do in the actions and sufferings of a friend.

You have become acquainted with the characters. You have joined them in the imaginary world wherein they dwell, consented to the laws of their society, breathed its air, tasted its food, traveled its highways. Now you must follow them through their adventures.

Undoubtedly, the place to start with Chinese fiction is with Cao Xueqin's eighteenth-century classic, A Dream of Red Mansions, a sweeping epic about family life and Confucian practices in feudal China, including numerous subplots, a gazillion characters, and a touching love story.

Everything is a tale, Martin. What we believe, what we know, what we remember, even what we dream. Everything is a story, a narrative, a sequence of events with characters communicating an emotional content. We only accept as true what can be narrated.

His soul is in his stories. I once asked him who inspired him to create his characters, and his answer was no one. That all his characters were himself.

He let the hours go by lost in the magic of words, shedding his skin and his name, feeling like another person. He allowed himself to be carried away by the dreams of shadowy characters, the only refuge left for him.

They teach us that human beings learn and absorb ideas and concepts through narrative, through stories, not through lessons or theoretical speeches. This is what any religious texts teach us. They're all tales about characters who must confront life and overcome obstacles, figures setting off on a journey of spiritual enrichment through exploits and revelations.

Everything is a story, a narrative, a sequence of events with characters communicating an emotional content.

Page and page I let the spell of the story and its world take me over, until the breath of dawn touched my window and my tired eyes slid over the last page. I lay in the bluish half-light with the book on my chest and listened to the murmur of the sleeping city. My eyes began to close, but I resisted. I did not want to lose the story's spell or bid farewell to its characters yet.

Under the warm light cast by the reading lamp, I was submerged into a new world of images and sensations peopled by characters who seemed to me as real as my surroundings.

Under the warm light cast by the reading lamp, I was plunged into a new world of images and sensations, peopled by characters who seemed as real to me as my room. Page after page I let the spell of the story and its world take me over, until the breath of dawn touched my window and my tired eyes slid over the last page.

Page after page I let the spell of the story and its world take me over, until the breath of dawn touched my window and my tired eyes slid over the last page. I lay in the bluish half-light with the book on my chest and listened to the murmur of the sleeping city. My eyes began to close, but I resisted. I did not want to lose the story's spell or bid farewell to its characters yet.

The body that ended up in the morgue was only a part of him. His soul is in his stories. I once asked him who inspired him to create his characters, and his answer was no one. That all his characters were himself.

I'm always interested in how characters change and how they often act inconsistently. When people teach creative writing courses, one of the first things they teach is to keep your characters consistent. And this is bad advice because human beings are not consistent. The very moments that we're interested in are those moments in which they act inconsistently, out of character. They suddenly leap up. They can become larger than they really are. I'm interested in those moments.

Brian and Lizzie were both really smart. Really quick. Plain basic types like Janie and Reeve could always get cornered.

First and foremost, God is the true hero of the story. No matter how captivating the other characters may be, our top priority is to discover what the Bible reveals about God.

You know why horror-movie characters always get killed? Because they've never seen horror movies. They don't know how it works. Right? But we do. So no one go into the basement alone. No one go screaming off into the woods alone. No one has any sex.

This is a work of fiction. Names, characters, places, and incidents either are the product of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.

There was a lot of fiction I did not enjoy, whose landscapes seemed bland and unevocative, the characters faint-hearted within them, the very words lacking vibrancy.

Every once in awhile I like to play dark ladies, crazy ladies, but most often I look for characters that are strong, intelligent, caring - usually earth women, because that's basically how I see myself.

I couldn't do any of my other characters, you know? But I could have done the lady. Church Lady's Malibu Beach party is an idea I have for a movie, too. Yes.

I want to be evil! I did play Lady Macbeth on stage to Alec Baldwin's Macbeth back in New York in 1998. But I've played a lot of characters who are so righteous and understanding. I don't want to be a goody-goody two-shoes all the time.

I hadn't really thought about this until 'The Lake of Dreams,' but I've set all my stories in places that are familiar to me. It frees me up to spend more imaginative time on the characters.