Quotes About Characters

My favorite characters that I've gotten to do are the ones that surprised me the most.

What people are going to be surprised about is that Tia and I are really different. We're nothing like the characters on 'Sister, Sister.' We're kind of swapped. I was the crazy, mischievous one on the show - Tia was the studious, more serious one.

One thing George R. R. Martin does is surprising things to main characters. But he says so himself.

Invite characters of surprising and moral character, or at least those who grapple with what is right or those who make decisions that shock.

The characters in a novel are made up, figments of the writer's imagination. I'm sure this won't come as a surprise to anyone, and it's not surprising to me either, but knowing this, feeling this, definitely made writing my second book harder.

If you're writing a bi character, did you look at a lot of bi actors for the role? Did you really go and find people that identified as queer? If you did, then great, and if you didn't find anyone you liked in that pool, well, that's surprising. If you write a character that's trans, the time is now - cast a trans actor.

Surprisingly, it was not an American but a British company that opened an amusement park in 2007 called Dickens World, located in the English county of Kent, complete with an Ebenezer Scrooge Haunted House, a Great Expectations Boat Ride and the as-advertised 'costumed Dickensian characters.'

I was a fan of the original 'Dynasty' - the fabulous fashion, the spectacular camp, but also the characters who carried the camp into surprisingly emotional places.

Like, on the 'Parks And Rec' set, I still feel like I'm a guest star. Being a fan of the show, it's really surreal to be on the set and see that it's not real, and getting to know the actors and they're not their characters.

Since it's based on my parents, it's more emotionally close to me than some of my more surreal plays. And then I like the balance of the comic and the sad. It should play as funny, but you should care about the characters and feel sad for them.

I definitely see the good in people. Certainly in my own life I strive to be somebody who is functional and well adjusted and can face conflict in a non-emotional and non-destructive way, and those are the people I try to surround myself with in my life. But as characters, they bore me.

Personally I like the English style better. It is not quite so brittle, and the people as a rule, just wear clothes and drink drinks. There is more sense of background, as if Cheesecake Manor really existed all around and not just the part the camera sees; there are more long walks over the Downs and the characters don't all try to behave as if they had just been tested by MGM. The English may not always be the best writers in the world, but they are incomparably the best dull writers.

In comics, the violent death of a woman as a plot device in a story focused on a man was so common that women coined a term for it - fridging, after the 1999 website, women in refrigerators documenting the plethora of gruesome endings for female characters.

Even when I write fiction, which I don't do too often, the fictional characters are familiar to me, like relatives I might have had in another life, and the setting is a place I know or have known. If I feel acquainted with the people and the landscape, I can enter this world and imagine what happens there and write it down. For me that world will always be some form of home.

Islam and Judaism in seventh-century Arabia operated within "the same sphere of religious discourse," in that both shared the same religious characters, stories, and anecdotes, both discussed the same fundamental questions from similar perspectives, and both had nearly identical moral and ethical values.

If       you will practice being fictional    for a while, you will understand       that fictional characters are          sometimes more real than             people with bodies                and heartbeats.

The Chinese language is extremely hard to learn. It is the only major linguistic system in the world that does not have an alphabet; and it is composed of numerous complicated characters – ideograms – which have to be memorised one by one and, moreover, are totally unrelated to sounds.

I've often been accused of harnessing genre strategies to mainstream ends. I do concede that relationships, characters, and introspection are my primary interest. The fanciful is of a secondary order of importance; I usually use it to approach the large issue of perception, so that my fantastical elements, while intended as real within the stories, occupy some borderland between reality and psychology.

Hegel dice en alguna parte que todos los grandes hechos y personajes de la historia universal aparecen, como si dijéramos, dos veces. Pero se olvidó de agregar: una vez como tragedia y la otra como farsa.

Hegel nota in un passo delle sue opere che tutti i grandi fatti e i grandi personaggi della storia universale si presentano, per così dire, due volte. Ha dimenticato di aggiungere: la prima come tragedia, la seconda come farsa.

I can't help but think that it's an unfortunate custom to name children after people who come to sticky ends. Even if they are fictional characters, it doesn't bode well for the poor things. There are too many Judes and Tesses and Clarissas and Cordelias around. If we must name our children after literary figures then we should search out happy ones, although it's true they are much harder to find.

Movies portray men as tough guys.

There's nothing I don't love about 'Mad Men.'

I've played so many historical characters because most horrible dictators are short, fat, middle-aged men.