Quotes About Characters

I like to think I've written something worth reading when I cry the tears of the characters.

Kindness is the color in the cathedral window which woven into beautiful characters shuts out the hideous sights of a world which is all too practical.

It is the size of the characters' desires that helps to make a sad story a tragedy.

You learn to write by writing, and by reading and thinking about how writers have created their characters and invented their stories. If you are not a reader, don't even think about being a writer.

It's the bond of trauma, the bond of sharing an indescribable experience together. Whatever happens, no one else in their lives will ever fully comprehend the ordeal of this pilgrimage, the characters they've met, the fear that travels with them, the grief and fatigue that eat at them. Their collective determination to keep pressing north.

I believe the most intricate plot won't matter much to readers if they don't care about the characters, especially in a series. So I try to focus hard on making each character, whether villain or hero, have an interesting flaw that readers can relate to.

En ese tiempo, un lunes era todos los lunes, las palabras se volvían mágicas, las gentes se desdoblaban en personajes incorpóreos y los paisajes se transmutaban en colores.

The remaining, less developed characters, were still either listening or laughing. They were divided between curiosity and satisfaction. They felt happy, but did not know it.

Marriages are like certain books, a story where you turn the last page and you think it's over and then there's an epilogue, and after that you're inclined to go on wondering about the characters or imagining that their lives continue without you, dear reader. Until you forget most of that book, you're stuck puzzling over what happened to them after you closed it.

If only life could be more like the movies, where characters muddle through things and do what's right in the end. But real life isn't like that.

Acum doreÈ™ti s? vorbeÈ™ti cu una din fetele sau b?ieÈ›ii sau ce-or fi care au scris mesajele, sau cu unul din cei È™apte pitici? Pe care l-ai dori? Îl avem pe Mutulic?, Hapciu', Moroc?nosu', RuÈ™inosu', Somnorosu', N?sosu' È™i înc? unul al c?rui nume va trebui s?-l caut pentru dumneata.

I've met so many fans of daytime television who've watched the shows with their moms and grandmas and feel like they've known the characters their whole lives. It's sad for them to have to say goodbye to their favorite soaps and characters. We don't want that to happen to the 'Days' fans.

I love working fictional characters into a piece of history. It plays to my strengths, which are characterization and dialogue, and assists me in my admitted weakness, plot.

I have this horrible weakness. I fall in love with my characters. 'Suspect' started as a one-shot, but I just love Maggie so much, and I love Maggie and Scott and what they have going.

After so many books and so many years of writing, I have a good idea of my strengths and weaknesses. I love the process of writing and, if I allowed myself, I would write far too much every day. One weakness which I've struggled to overcome is my tendency to having my characters ruminate for pages.

One of those things that I like about TV is that if you get a group of people you like, you can work with these people for months at a time, and you can discover their strengths and weaknesses, and you can use those in the direction where you take the characters.

We all fail, and we all have weaknesses. I think that's what helps us relate to characters we see on TV or read in books, is that we recognize our frailties within them and maybe don't feel so alone. We get to learn from their mistakes.

There's a wealth of literature out there which, hopefully, will be, you know, exploded in the future, and I personally find it very rewarding to be involved with classic storytelling, and sort of legendary characters.

'Avatar' was gorgeous. There are good stories in there, but when used in other movies they're similar to those violent video games. Characters using deadly weapons. The children follow these movies.

The mutants I like - Wolverine. The action heroes I like, they have weapons; they are more visceral. So I filled the comic with characters like that, and we got big results.

I don't know, usually I'm wearing costumes and hats of other characters: to ask me to be Aaron and walk through the country was a great honour, and a great opportunity.

Also the clothing, people often ask why I talk about what characters are wearing. And that's really important to me, because you have to have a picture of how people moved in their clothes.

When you read a book, the neurons in your brain fire overtime, deciding what the characters are wearing, how they're standing, and what it feels like the first time they kiss. No one shows you. The words make suggestions. Your brain paints the pictures.

I really like people who have the gift of the gab. I like characters that are very eloquent, articulate and confident in what they're saying. Especially coming off 'Captain America,' who's very internal and intimate, I'd love to play someone who wears their emotions on their sleeves, potentially to a fault.