Quotes About Characters

No, there isn't a particular type of genre that I'm drawn to. I'm more drawn to the possibility of creating different characters, or being able to go from one genre to the other and to show that I could do it, that I could be good at it.

That's one of the cool things about being on a Marvel show: there's the possibility for all of these characters to collide.

I have too much respect for the characters I play to make them anything but as real as they can possibly be. I have a great deal of respect for all of them, otherwise I wouldn't do them. And I don't want to screw them by not portraying them honestly.

When I'm writing a novel, one of the things I do is get big poster boards. They're actually canvases that artists use. And I keep all the characters' names on them. If you write a big novel, there's a lot of characters.

I am one of the new characters in the brand new series of 'Postman Pat.' It has been a joy to do.

I admire the world of the books and the characters that she's created, but I'm not an addict of Harry Potter. I don't feel possessive about it.

While I've written in the POV (point of view) of adolescent characters before... I never have had to create novels in which those characters not only drive the plot, but also are instrumental in resolving whatever issue the plot deals with.

I always explain through images and characters what fashion means, and describing scent is almost the same. It can be very powerful. It can really change the perspective a person has of you.

'Kaalia' was essentially a powerful film with punchy dialogues between its key characters Amitabh Bachchan and Pran Sahab.

You know, the best-laid plans of mice and men... I like playing bad guys, and I don't have a problem doing that. They're interesting characters, and there's as many different kinds of bad guys as there are good guys - they're rich, they're strong, they're powerful, and so that's fine with me.

I lean toward anything with a dark sense of humor. And since I've been out of school, the majority of my books have been contemporary; basically, I like my characters to have electricity - even better, a TV.

With any period piece I think the thing to do is forget that it's not contemporary when you're writing and to have the characters feel as much as possible like characters that you would know.

With contemporary music, you automatically get connected. It connects you to the emotion of the characters.

My goal is to play characters that I feel I can contribute to and also ones I can contribute back to my life.

I don't see many convincing heavies in movies. They don't scare me.

When I watch cop shows, I really enjoy them because you can really follow the story and get involved, and the characters are always really interesting.

I don't really decide what the core of the story is before I write. I write to figure out what the story is. And I think the characters end up talking to you and telling you what they want to be doing and what is important to them. So in some ways, your job is to listen as much as it is to write.

I've played a lot of cowboys.

I like characters who have strong facades and then have secrets. They have cracks.

I love Matt LeBlanc in 'Episodes' - he's very good. And the 'Modern Family' cast just cracks me up.

Ghibli is about craftsmanship. They draw characters and put life in it.

I go through a whole process with the actors first, building and creating characters, then I encourage them to sort of live in that character when they're in the screen.

In terms of creativity, both are equally satisfying. Music album is for yourself, where you compose songs and stuff like that, and in films, you have a story, characters, and songs penned by someone else.

I'm a big fan of 'Deadpool,' and Rob Liefeld masterpieces are among the other great comic creators and characters.