Quotes About Characters

I think as an actor you have to be open to your emotions - that's how you tap into other characters. Besides, by being so open I've come to terms with how screwed I am!

I can never kind of fathom a character's journey beyond the moment when you go to black, any more than when people ask me what Jason Patric did with the tape recorder at the end of 'Narc,' you know what I mean? Even in 'Blood, Guts,' like, what happens down the road with these characters?

Start as early as you can. Make tapes of your characters.

Well, I don't think I've ever been a huge target for the press, and I value that to a degree, because there's a certain value for actors staying beneath the radar so they can play characters.

There are things that Scotsmen get and other people don't get in the dialogue. Scottish characters can be pinpointed by a phrase, targeted very quickly.

My 'Black Panther' run really wasn't about Black Panther. It was about Ross. It was about exploding myths about black superheroes, black characters, and black people, targeted specifically at a white, male-dominated retailer base.

My family and our neighbors and friends thought of Africa and its Africans as extensions of the stereotyped characters that we saw in movies and on television in films such as 'Tarzan' and in programs such as 'Ramar of the Jungle' and 'Sheena, Queen of the Jungle.'

When you work on animation, the music has a great task: to create a sound and melodies and mood and atmosphere and energy dedicated to these extraordinary characters.

My characters do have some fantastic taste in men.

Here are a few of the actors who have brought my novels to TV life: Bill Pullman, Holly Hunter, Frances McDormand, Julian Sands, Gena Rowlands, Rob Lowe, Julia Ormond, Chelsea Hobbs, Tate Donovan, Anne Heche, Max Martini, Campbell Scott, Kimberly Paisley-Williams, Alexa Vega, and the late legends Richard Kiley and Kim Hunter.

As far as characters that are written as Muslims, we're only seeing one dimension. It's either the good Muslim who is helping the FBI, or the taxi driver-terrorist bundled in one.

One of the things about the '70s films I love - the films 'Nightcrawler' is being compared to, like, 'Taxi Driver' - is that they never put their flawed characters into any one box.

If you stop and think about who was in the 'Lassie' movies, it's difficult to think who was in them, apart from Elizabeth Taylor. You remember the dog, not the people! So if you're going to be in a movie, and it's called 'Gremlins', it's going to be about Gremlins, and what people are going to remember are the Gremlins.

I personally do not believe 'Premam' has influenced anyone in any way; it has just portrayed characters and is one man's story where he falls in love with his teacher, and I don't believe people would use this as a reason to imitate it.

I loved the idea of making history interesting for kids! When Scholastic approached me about 'The 39 Clues', I immediately started going through the 'greatest hits' from my years as a social studies teacher, and picked the historical characters and eras that most appealed to my students.

The thing about a band is, it's not so much how good the musicians are - it's the blend of personalities and characters. It's the human chemistry that makes up a good team.

What this typographical distinction should make immediately apparent in the passage is the highly subsidiary role of narration in comparison to direct speech by the characters.

Deveels are some of the meanest characters you'd ever not want to tangle with. They're some of the most feared and respected characters in the dimensions." "Are they warriors? Mercenaries?" Aahz shook his head. "Worse!" he answered. "They're merchants.

The deaths in this series are never taken lightly, they're never done with a sense of glee. They weigh on me the same way they weigh on you. These characters are very real to me, and their deaths are upsetting even to me. ( The Walking Dead #167: A Certain Doom)

I'd write of people and places like I knew, and I'd make my characters talk everyday English; and I'd let the sun rise and set in the usual quiet way without much fuss over the fact. If I had to have villains at all, I'd give them a chance, Anne--I'd give them a chance. There are some terrible bad men the world, I suppose, but you'd have to go a long piece to find them...But most of us have got a little decency somewhere in us. Keep on writing, Anne.

Then Diana puts too many murders into [her stories]. She says most of the time she doesn't know what to do with the people so she kills them off to get rid of them.

Then Diana puts too many murders into hers. She says most of the time she doesn't know what to do with the people so she kills them off to get rid of them.

In the evening we went to the opera to see 'The Little Minister'. It was good but not nearly so good as the book. I don't care for dramatized novels. They always jar on my preconceptions of the characters.

Escribiría sobre gente y lugares que yo conociera, y haría que mis personajes hablaran un lenguaje cotidiano. Y dejaría que el sol se levantara y se pusiera de la forma normal y tranquila que hace normalmente, sin hacer muchas alharacas al respecto. Si tuviera que introducir un villano en mi historia, le daría una oportunidad (...) Supongo que hay algunos hombres malvados en el mundo, pero hay que andar un buen rato para encontrarlos.