Quotes About Characters

I like characters who have two different things going on, whether it is Robin from 'Top Of The Lake' having that strength juxtaposed with the vulnerability and being in pain, or whether it is Peggy from 'Mad Men' with her naivety and her sort of idiocy at times, combined with her intelligence and courage really to do what she did at that time.

Action films are great, but an action film that has characters that are compelling and a story that people can care about is something even better. We love to see action heroes that are vulnerable, that are sensitive, that are family people, that are accessible.

I like to bring a level of vulnerability and real humanity to the characters I play when appropriate, and I feel like Dr. Culber lives pretty comfortably in that vulnerable world, but he's a professional first.

I really respond to human scripts, scripts that are raw and real and risky. I love playing scary characters - not horror film scary, but vulnerable scary.

I would say that a lot of the characters I've been attracted to are very vulnerable and they expose themselves emotionally. Not so much in 'The Fighter,' not so much in 'The Master' - I think those are different.

It's how I express myself - through storytelling and characters. They often reveal very intimate, vulnerable sides of myself.

When I realised that what I do really well is play women who are tough and vulnerable, it was a moment of clarity. Many female characters either have one trait or the other, but I play both. I don't need to play characters who are like me. I can just do that with my life.

I'm glad I chose more vulnerable work about what is love and what is freedom and those kinds of things. But there's something innate in me where I always come back to characters with an edge.

To be a great creator, you have to be vulnerable. You're creating characters that have a little bit of yourself in them... And you want to know it's a safe environment for that.

I really do love male characters, in some ways, for the fact that they get surprised when they're vulnerable. Women are more surprised by their strength.

I just want to play really strong characters that get to do really interesting things. But I would also love to play someone really vulnerable. When I first started my career, I tended to do a lot of things just to get the work.

My siblings and I, we were raised on TV and films. Not a day went by that we weren't watching one of three movies - 'Caddyshack,' 'Animal House,' 'Beverly Hills Cop' - on rotation. Our comedy, our personalities were set watching 'Sesame Street': these really sort of wacky, Jim Henson-y characters.

We like existentially wacky characters who exist in existential crisis.

There's a certain exhaustion that sets in when screenwriters are approaching sequels, and they start to lean on crutches - those same old wacky characters!

I was doing this really wacky sketch comedy but at the same time writing these dark, cerebral plays about characters coming to grips with their loneliness and heartbreak. My dream job has always been a way to combine the two. I would say 'BoJack Horseman' is the culmination of all of that.

Of course there is really vile anti-Semitism in Wagner's writings, but I can't accept the idea that characters like Beckmesser and Alberich are Jewish stereotypes in disguise. Would Beckmesser be a court councillor if he was meant to be a Jewish stereotype? No Jew could occupy such a role.

What I remember when I started to write was how I couldn't wait to get up in the morning to get to my characters.

Acting is fascinating to me. I love unlocking the mysteries with characters and finding out what would be the most intriguing aspect of that character to exist in. Figuring out a person and getting to be a different person every day, hey - that's pretty lucky. I don't have to wake up and be Amanda if I don't feel like it. You know, that's fun.

I never write my stories as a wake-up call as such. I simply explore the kinds of situations that I find personally challenging by placing characters into situations that challenge them in similar ways.

So many of Spielberg's films inspired my imagination growing up. And then there are British films like 'The Full Monty' and 'Waking Ned Devine' that took me to places I really loved, with characters I just thought were amazing. But the films of Luc Besson showed me France - a really cool side of France.

I want to try and portray characters that are in real life, that you see day-to-day. If I were to just stay in my little village in Wales, I would have gotten a very small taste of a very big plate.

You think of 'Outlaw Josey Wales,' you immediately think of the old Indian guy, Sondra Locke, the old lady with the glasses, beautiful old actress.

In real life, people are integrated into society. That's what happens in my books as well. Minor characters don't just walk in and spout lines, they interact and have an effect on the events. It's not an isolated universe.

The first day was memorable for me. I walked into this studio with these giant eyes, slowly met everybody and got to see the story boards and sketches of our characters. I got the see the sets and was just amazed that all this was to be something we all were going to be part of for almost a year.