Quotes About Studio

I've got my own studio, and I've got four- to five-hundred unreleased tracks. I've got stuff that's electronic, orchestral, jazz, I've got rock, I've got metal, you know, I don't have polka.

I'm always on tour, so I'm always trying new tracks out live before they're released. That's more necessity than anything, because I don't get a proper chance to sit in a studio and work on tracks like other producers do.

I love going into the studio with just an idea of the direction. Like, I want this tempo... I love to start from scratch, and the tracks sort of take on a life of their own.

The studio didn't ask them to learn their trade, they just worked them, and when that personality or that gimmick or whatever they had ran dry at the box office, they were dropped and out.

One of the more surreal days I've ever had in the recording studio was Martin Fry teaching Hugh Grant his old dance moves. Showing him how to do the hair-flip and the point, and all these sort of trademark moves of his.

Honestly, I feel like I am a leading man, and it's just going to take the right project, the female and the right studio. It's got to all gel together, you know what I mean?

I was in the studio so much, it was about the search for air in a metaphoric sense, and the breathing has more to do with travel for me, about the search musically for open air.

Because I'm such a studio guy, I really trust my process. I really believe in myself in the studio.

I love working with women. I think it's because I spent so much time in my brother's heavy metal band. Sweaty boys in the rehearsal room. It's nice to just be in the studio with a fragrant lady.

I think it's the most extraordinary studio around. I would love to do my next project with Pixar.

I don't like tracking and over dubbing and all that. I love live recording where everybody is playing. I, I'm convinced it's better.

I just love making music. I always stay in the studio. Making music is my main focus.

I go to the studio every day, but I dont paint every day. I love playing with my architectural models. I love making plans. I could spend my life arranging things.

Sometimes in the studio movies I've been working in, you'll put a joke in a movie because the crowd loves it - not because I love it.

I'm never happier than when I'm being creative, whether that's with Coldplay or other artists. I just love being in the studio.

I'd love to find a small movie that someone would sign off on me to do. I have no aspirations to do a big studio film because I don't think anyone would let me.

I'm a studio guy. That's really what I love the most. I'm so fascinated with audio gear and recording techniques and whatnot, it's pretty mesmerizing.

table sat an antique ormolu clock, its hands frozen on the twelve and the ten, 11:50. The magic hour. The time when Zee's ghosts appeared in the greenhouse wall. Bits and pieces of two scenarios were coming back to her, fitting together like a child's jigsaw puzzle. She had, indeed, come to this place—Mathew Brady's New York studio—a short time earlier to have her portrait made

The franchise film era is, in many ways, a return to the studio system. Only now the major entertainment companies don't own the most important talent—they own the most important cinematic brands.

I have a long-held reputation in the studio for being someone who definitely doesn't do professional PDAs.

I don't sit inside the studio all the time. I travel around researching music.

I honestly have really deep reservations about releasing everything you ever did. Every time somebody farted in the studio, now it's out there.

I'm actually a really shy person. I just really enjoy being in studio; I don't go out much.

I met Harry Thomason when I signed on with 20th Century Fox in 1985.