Quotes About Studio

I love good film, whether it's an independent or studio film. The independent films, I think the good ones aren't necessarily eccentric ones but they're the more specific ones.

I love the finished product, but I find working in the studio a chore - I use an old-fashioned setup, so the recording process can be frustrating.

When i believe in everything, I could not see the actors semicircled around a studio microphone flipping the pages of scripts in unison. I only heard the voices, resonant, electric, adult, accusing each other of murder.

Raúl parked outside the brick-faced converted warehouse that was Parker Smith's Krav Maga studio and then escorted me inside, taking a seat on the bleachers. His presence threw me off a little bit. Clancy had always waited outside. Having Raúl watching made me a little self-conscious.

The size of a studio film lets you see technology in a way that you wouldn't on an independent film, like the gadgets and the angles and all that.

One of the first people that believed in me, the first person to invest in my talent, me and this guy used to argue all the time in the studio, but at the end of the day, we both realized that we were after the same goal, and that was to make great music. And I'm talking about Eazy-E.

Just by default, because I don't have kids on my bus, I'm putting the studio on my bus. Where everybody else is doing their cribs on their bus, I'll have a little studio, so I'm going to invite my bandmates, on days off, to come and keep writing so we can continue the creative process and keep it going through the tour.

We want to be a studio that makes a whole bunch of stuff we believe in, in all ranges of scale and time and length, and own as much as that IP ourselves and generate as much of that IP ourselves as possible.

Sometimes you get too jaded, too seasoned. With Hellyeah, we've been having a lot of fun. From the minute we sat down in the studio, there was a lot of energy.

Jeff always had a huge part in making a song a record. You felt like you were capturing lightning in the studio. It was never boring. He always was there to serve the song.

All I can do is be myself. I've had the grace to be able to do that. I walk into the studio and I think, 'Let some word that is heard be Thine.

Ed Catmull says, "Toy Story 2 was the defining moment for our studio.… People and how they work together is more important than ideas. They [other companies] could copy our technology but they couldn't copy our team.

No I.D. is actually married to my cousin, and my cousin is my manager. So I met him when she met him many years ago. I was in the studio and he hooked me up with a bunch of producers that he knew.

I was about 11 when my mother brought me this karaoke machine and I was really into it back then, but about 4 or 5 years ago is when I started printing up my own music, going to the studio and doing my own thing.

Back 20 years ago, I was recording with Bruce Springsteen, and his producer called me and said I had to be in the studio the next day to finish the sessions, and I couldn't. I had to be in court, in California. All this took like 10 years out of my life.

I think when we were making the first album, we were like 16, 17 years old, and I think just years and years of recording and playing shows - I know me, personally, I kind of figured out my style more and vocally learned a better way to sing in the studio.

I photographed rocks and trees and tide pools and nudes and all that stuff for years and years. Until 20 years ago when I found that I could do it in the studio and never have to travel.

For years and years, I would sit in my studio, and I wouldn't have any inspiration. I'd write one or two songs a year.

There's a band of studio session - hot players - that play on my albums... They're an eclectic bunch of misfits that I've worked with for years and years.

I found my sound through exploring. I was in the studio yelling, going low, trying things, and that's how I found that I have a lot of sounds.

I suppose where I am sort of reflects the work I have chosen to do. Are there occasional frustrations because I can't work with a certain director because it's a big studio movie, and I don't have enough of a studio profile? The answer is yes. But generall... generally, I have the career I have chosen myself.

Yes, we record practically everything on Pro Tools.

You can't do seven successful albums and just hate each other. Our yin and yang, and night and day, is what made us great when we went into the studio.

I want to open my own yoga studio. Planning construction and looking at properties is fun.