Quotes About Studio

Daffy, of course, wants to go on the journey with him but the studio decides they want Daffy back, so Bugs and a young studio executive heroine have to go out and try to bring him back.

All of my books have the potential to become movies, it's just a question of finding a studio who wants to get behind me and put up the money to make the movie.

I've been messing around in the studio the last couple of years. But I don't want to worry about being taken seriously as a singer. It just really feels good to do it.

One of the main things when you get notes from a studio is they don't want anyone to be confused ever, everything has got to be so obvious at all times unless it's a twist ending.

I love the financing. It's fun to do studio movies, too. I think you should do both. You don't want to be this, "He's an independent film guy." It sounds like, "He makes his own dresses."

We wanted it more live and raw. We didn't want a studio sound.

I'm not tied to budgets. I'm tied to the story that I want to tell, and how much it's going to cost is up to whatever the economic situation of the studio is.

I listen to nothing or classical music just because after being in the studio for twelve hours, the last thing you want to do is listen to anything.

I feel like if I do my homework practice-wise, by the time I get to the studio I can put everything exactly where I want it to be right away.

It irritates me so much the way people talk about soaps because it is far more difficult working on a soap than it is on a big studio film.

A sold-out crowd is better than a number one. But being in the studio is better than all of that.

I would rather be hired solely for my talent, not just to fill a quota. I also don't want to shoot just any studio movie just to say I'm shooting studio movies - for me, quality of the material comes first, and if eventually that leads to a really great studio project, then that's a bonus.

Playing in my early bands, working as a studio musician, producing and going to art school was, in retrospect, my apprenticeship. I was learning and creating a solid foundation of ideas, but I wasn't really playing music.

Performing live on stage is such a community, whether it's my musicians or a cast of a show that I'm in. And then when you're in the studio or on set, it's a much more solitary experience. Both can serve me at different times in my life. And when I go back and forth from one to the other, it helps me appreciate all of them much better.

Because we recorded in the studio, basically live, when we went to rehearse, we kind of already knew how to play the songs. But I also will take liberties with the Dirty Knobs. If I want a solo to go on longer or if I want to throw in a song thats not in the setlist, we can do it.

In the studio, there's no tiptoeing. As opposed to big, blow-out arguments, there are just lots of little solutions.

I love being in the studio. Expressing myself that way is really cool.

Writing is essentially re-writing and re-writing everything to death, so I spend a lot of hours there in the studio trying to make the language work to paint each picture in the reader's mind and generally deploring how lousy my efforts turn out to be. Like most writers, I suppose.

I wrote about ladies who had come through the studio. I get asked, 'Is it a choice to gender the music or put pronouns in?' and for me, it just wasn't a choice.

We're big 'Game of Thrones' fans, so we call our house King's Landing. I have a studio apartment above our garage that we call Winterfell. I go to Winterfell to write.

I've been working in music since I was a little kid. I would do background singing in my dad's studio all the time when I was a kid. I went to label meetings when I was pretty young, and obviously my goal was, like, 'No, we're gonna hold off.'

The focus is on melody: If you get it right, and it connects to the mass audience, it doesn't matter if it's a studio album or played on the dance floor.

My studio is the only place I feel good in. There, I'm fearless; outside, I'm a mess.

On a studio film, you don't have to worry about running out of film or messing up your costumes; you have five other sets of it. Studio films make you the most comfortable so you can just act.