Quotes About Studio

Other people have worked with big studios and maintained control over their movies. I see no reason why it wouldn't work for me.

The leather vests are work vests, supposed to look like factory workers. They're actually the vests we use in the studio when we make jewelry.

You always try to work for your audience, to entertain them, but that being said, obviously, within the studio system you feel the sense of responsibility to the bank.

I've had a couple of guys that I've had co-produce records with me through my career, and it's fun to work with a co-producer.

When you're in the studio, you've got a narrative for what goes on, you might switch on a bit of gear and it might not work as you intended or come out a bit wrong, and you try and exploit it.

I'm fortunate in one respect; that I don't have a lot of work in my studio. Most of it's out, gone; either sold or in galleries. I work with a lot of galleries.

I don't think the idea of working in Hollywood really exists anymore. I think you work in films, and where the film is shot is where it's shot. The studio system doesn't really exist.

But I don't like working on lyrics publicly in the studio - I prefer to take them away and work on them in my bedroom.

I had this perfect situation where my studio was a three-minute walk away, and every day I would go to the studio. If I had an idea, I could work on it at the highest level possible.

I can't work in Brooklyn. Unless I'm completely locked away in a studio, there's just too much distraction and stimulation.

So many a time, I would find myself stuck in my studio while, in another country, my exhibitions were opening and I was being celebrated.

Being a former theater student, of course, there is a part of me that is fascinated with stage crafts and what you can do with illusions and working within the confines of the studio.

Even though I studied in New York and I know the American system, I come from France where I learned that with movies in France where the director is king. There's no such thing as a studio edit. It's the director's cut, period.

The studio is a laboratory, not a factory. An exhibition is the result of your experiments, but the process is never-ending. So an exhibition is not a conclusion.

I'm portable. I carry a laptop and a little recording studio on my back.

The studio is just a labor. Getting on stage is the reward.

I really just like making music. People call that 'work.' Like, 'Oh, you're going to the studio to work?' No, that's even what I do in my off day. I love recording.

A great dream of mine would be to run a design studio full of scientists who think about science as creatively as if they were doing art.

I'm doing lots of interviews and stuff. I'm longing for the days of getting up, not having to put on makeup and do my hair and just going to the studio.

The Migos, like anybody I ever been in the studio with, like an influence on my rap. I take this from him and him and him and, you know, put it with myself and make it work like that.

Being in a recording studio is a very different feel from performing onstage. I mean, obviously, you can't just go in and do what you would do onstage. It reads differently.

My ideas come when I least expect it, so I've always got to have a studio nearby or close by somewhere.

There's a whole system in Hollywood where the director never speaks to the studio, but I like to engage them in a discussion. I listen.

I won't miss Monday morning rehearsals in a freezing studio at 8 A.M. I will happily never do that again.