Quotes About Versatility

I'm cool with it, running back, receiver, punt returner, it really doesn't make a difference to me.

I am a receiver, I am an athlete, at the end of the day. So, I can play any position that the coaches draw up for me and put me in the best position to make plays.

Receiver is an art - there is not one way to do it.

I'm a character actor and I get lost in these characters, so I think it's only recently that people have begun to connect dots and go, 'Oh, that's the same person that did this, this, this, this and this!' which I take as a compliment. One time somebody called me an illusionist, and that was the nicest thing anyone has ever said.

Most cooks try to learn by making dishes. Doesn't mean you can cook. It means you can make that dish. When you can cook is when you can go to a farmers market, buy a bunch of stuff, then go home and make something without looking at a recipe. Now you're cooking.

I hit the trifecta on 'Law & Order': I did the original recipe, extra crispy and the Colonel's special.

I like the way that different people recognise me for the roles I done.

Comedy is important, and I do not want to end up being recognised for just one genre.

So few people recognize me, I can do what anyone does.

My ambition is to become one of those actresses that is like a chameleon that you don't recognize.

'Entrepreneur 'just denotes that you recognize that you're doing things across disciplines and that you're blazing your own path.

You wouldn't recognize me from one project to the next.

I love that I'm rarely recognized. I like it because I know I can look different from film to film.

To be an actor for 30-odd years trying to become recognized, and to end up playing a full prosthetic and a character 3 foot 9', or something like that, is... well, it just shows that you can get actors to do anything.

I recommend multiple sports for sure. The memories I have bouncing around for each sport, having to juggle some in the same day, it's tough; it's difficult.

There's poetry in being the band that can sell out Wembley but also makes a record in a garage. I don't like doing what people expect me to do.

Red House Painters were doing cover songs before our first record deal. I remember live shows where we did an AC/DC song; I think we did 'Send In The Clowns' by Judy Collins. We did 'The Star Spangled Banner,' which came out on our third record.

If I opened a record store, it wouldn't be all punk rock and esoterica.

I've recorded in Portuguese, too. I didn't set out to just sing ballads or romantic songs.

My recording career has luckily run the gamut of recording environments.

I prefer recording drums in the analog format, but that does not mean I would only do it that way.

When I'm acting I don't sing, and when I'm recording I'm not acting.

People ask me all the time which I would prefer doing more, but I honestly can't say. When I'm filming, I'm like, 'No, this is my favorite,' and when I'm writing music and recording and performing, it's like, 'This is definitely it.'

I may be on set acting, I may be in the studio recording, I might be teaching dance class all in the same day - so how can I manage all of those needs, prepare for all of those things, and still grow and train in all of them? The best you can do is, when you're focusing on one, be there and be present.