Quotes About Versatility

I now have a home recording studio, which I can operate entirely on my own, as well as a portable version of the same which allows me to record anywhere I like and simply swap out the hard drives for use in the home studio.

I even done a doo-wop version of the Mickey Mouse march.

I think differently, I think it's about reaching everybody on every different plane and every different level, and if I could remix the song and do a dance remix, that's great. If I could do a classical version, that'll be great too. It's all just about expression.

You don't have to go out there and fit the mold of what a quarterback is supposed to be. Make your own mold and do the best at each role. If you can run with the best and throw with the best, you can be the best quarterback in your own version of the position.

Every Marine was trained in handling a rifle, no matter what noncombat job he might assume down the road. Right now, at Hagaru-ri, every Marine was now a rifleman.

I always say, Don't make plans, make options.

I don't like futons. They can't commit. I'm a bed! I'm a couch! I'm a bed! I'm a couch!

What's the matter? said the old man. Can't you make up your mind what kind you want? The kid laughed. I want them all. He threw his hands out. I'm learning everything! He opened one of the books. Look...geometry...triangles...

I love having played Walter because I suppose any actor brings a certain aspect of their own personality to their work, and I had a fairly broad canvas to paint on with the different versions.

As an actor, you always want to keep it different, change it up, and, you know, just to keep yourself inspired and work with interesting characters.

You know, I've got my hands in 30 or 40 different pots simultaneously and so I have a little bit of all of that where I work.

I'm happy to work in the States because there are so many different and interesting projects. I'll go wherever people want me to work.

I do ballet and pointe work. I also do tap, commercial jazz and technical jazz, freestyle street dancing.

What works in one medium does not necessarily always work in the other.

I want to say that I really appreciate that readers are willing to work with my tendency to write in several different genres and for different age groups.

Whenever I get a chance to work in a different language, or in a different accent, or anything like that, I'm game. I think it's a great challenge and something to be done.

By being able to play different styles I can get more work. I also learn so much from each of those experiences. It keeps everything from getting stale.

Some people make a career out of doing one thing, but I wanted to diversify my body of work.

I pride myself on being the type of artist who can work half in the R&B world and half in the pop world.

You want to be appreciated for all your work as opposed to one performance, but I'll always be 'that bloke from 'Lock, Stock'.' You've got to embrace it.

I guess the ultimate luxury professionally is to be able to change your direction, to work in another medium.

I feel like I work on scripts for comedy as well as dramatic stuff the same.

Ultimately I want to be able to create whatever I want whenever I want. And if that doesn't work, I don't mind just doing weird plays.

I don't think about, "How does this song that has more of an electronic mix prefix to a song that has a full orchestra next to a song that has other things?" I just work on it as-needed.