Quotes About Versatility

I love fighting different styles and overcoming obstacles.

I try not to become too regular an addict of any one subculture.

I'm not easily inhibited by the fact that I don't know something about a subject. It doesn't stop me from dabbling in it.

I don't want to subject myself just to one scheme. I think it's just if you can play, you can play no matter what scheme you play in.

There are people who can sit down and write a song about any given subject, and they can do it really, really well.

I never have fixed subjects that I discuss on stage. I never go on with any particular subjects in mind.

I love to read different books on completely different subjects at the same time. I cannot focus on one. I read a few pages of literature, then I jump to philosophy and at the same time I'm reading biographies of Mahler.

I only know about a few things, but I am quite good at bluffing. There are a whole range of subjects, including the Renaissance, which I am prepared to sound expert on.

People always think I just focus on rap, but I listen to every type of music. If I like a song it don't matter what genre of music it is. I might listen to Duran Duran, I might listen to Sublime, maybe Red Hot Chili Peppers.

I'm not a film-school guy. I was a high-school dropout. I was on a nuclear submarine. I was an electrician. I was a house painter.

I've finished fights from my feet, I've finished fights with my ground-and-pound, and I've finished fights from my back with a submission, from top with submission. You name it, and I've finished a fight that way.

Jackie O was so capable in so many ways. Hillary tried to redefine the role when she got into public policy, and Michelle Obama is able to move smoothly between form and function, style and substance.

I want to do every kind of role with a reasonable amount of panache. I want to be a fair combination of style and substance.

People tend to call me for only one thing - NRI-based roles. I'd like to change that and expand a little bit, and have more substance.

I have decided to take on substantial roles. I'm even ready to take on roles which give prominence to glamour; I have absolutely no qualms in doing so.

I don't mind doing genre roles as long as they offer me something substantial.

I've never set out to do anything other than get better at guitar and record and have fun. I feel like the Jazzmaster's just your comrade on that journey. It can be really subtle, it can be angry, it can be chill. It can be anything.

If a scene called for numerous Oompas to join in a narrative song and dance, I would perform the steps for all of them with subtle distinctions of expression and movement. When the images were joined with the help of a computer, I became an entire troupe.

Being a Kathak dancer, learning Bharathanatyam was a challenge as it was not that subtle, when compared to my natural form of dance.

One thing I love about guards in this league is that you can be a 5-foot-9 pit bull or a methodical 6-foot-7 jump-shooter, and still succeed in your own way.

Everything is raw material. Everything is relevant. Everything is usable.

The beautiful thing about my intelligence is that it doesn't really come in one specific department. So even if something hasn't happened to me, I have information on how to get you through whatever you may be going through.

I know only two tunes. One of them is 'Yankee Doodle' the other isn't.

He could sing in more different keys during the course of one song than anybody I've ever heard,