Quotes About Versatility

You can be a video vixen and be snobby, or you can be a college girl and be snobby, or you can be vice versa and down-to-earth. It depends really on the personality of the individual. I don't judge.

But put it this way: if I have a bad day keeping, I know I can put it right with the bat, and vice versa. When it all comes together, happy days.

I am more than just one thing. I think my acting has helping my dancing, and vice versa. And I write.

The reason I feel like I act is because you get to live a million different lives in one. I don't have to go about my life, just being easy-going New Zealander Rose. Sometimes I can inhabit a feisty, vicious character. Sometimes I can inhabit a painfully shy British girl, or whatever it might be.

I just let the work speak for itself. An actor is not afraid to take risks; to put on different hats; to be a good guy, a bad guy, a victim, an abuser. There are all kinds of people in the world, and playing them is what acting is all about.

I am happy with all the films I've done. I have not become the victim of an image. I have managed to do different roles, and I am proud of that.

Depending on the show, I've played a cop, a criminal, or a victim. So there's a range.

We always knew Victoria was going into fashion, Mel C was going into music, Emma went into radio, and I wanted to do a bit of everything.

I don't have a collection, but I have a thing with jackets. I really like jackets. Whether it's an '80s motorbike jacket, or a Victorian jacket. I could wear the same jeans every day for months, but the jacket would be the thing that would change a lot.

Any UFC fighter, and any fighter going into the boxing ring and can do what they do in the UFC, nine out of 10 won't be victorious and vice-versa, with a boxer coming from - even myself - coming over to that field will be a fish trying to be in a jungle and survive. It's not going to happen.

I want to be creative in as many different environments as possible, whether it's doing film scores, writing for TV ads or video games - all sorts of stuff, as long as it requires writing music.

Obviously the thing that's cool about games - a basketball game is just a basketball game. The thing about video games is that each different video game can be in a completely different genre.

I'm not into just one thing; I always felt like I had to have my hand in everything revolving around what I do, whether it's directing videos, making beats, making music, performing.

I've done hip-hop videos, family comedies, a quirky comedy.

I was in a play called 'Hood.' I was an extra in 'Passion of the Christ.' I did corporate videos, commercials, little university short films. Just anything that I could be a part of, really.

The things you do early on, people don't know, but once they start studying videos and know what to plan, they know what to expect. So you have to keep on evolving, and according to situations, you have to adapt, because if you are just a one-trick pony, that won't work for a long period of time.

In Hollywood, I was never restricted to just one Asian character. I've been cast as a Chinese, a Vietnamese, a Korean, a Japanese and a Cambodian.

I don't like stuff that can only go into one set; I want stuff that can be applied across sets. It's a more real Lego building experience. And, of course, it's the same from a manufacturing point of view. I want elements that are universal; that gives me the best economics and best utilisation of the mould.

It's good if people see me as a running nine but I wanted to be viewed as an all-round scrum-half, who can do anything at any time.

Being imaginative and playful doesn't make you any less of an adult," Gabriel said gently. "It only makes you a more interesting one.

She was the guest everyone invited when they needed to blend a group of disparate personalities, just as a roux would bind soup or sauce into velvety smoothness.

Our ability to adapt is amazing. Our ability to change isn't quite as spectacular.

I suppose it is possible to be all of these things. To sort of fall out of who you are into another, as well as to journey back to some essential sense of self. We only see what we see. He was whatever he needed to be, what we asked him to be. Perhaps there are lives like that—they pour into whatever space we have made ready for them to fill.

There is hardly anybody good for everything, and there is scarcely anybody who is absolutely good for nothing.