Quotes About Versatility

I think it's great that these little various skills I have seem to add up to something, because I'm not the greatest pianist or the greatest vocalist or the greatest actor.

Technically, a Ghost song could just be piano and vocals, but it could also be full, pounding, heavy-thrashing hard rock.

I'm very much of that old-school mentality of believing that if it works with an acoustic guitar and a vocal, then it should work within any format - and especially when most of my live work is just guitar and vocals, so it really does have to work with only that.

I do guest vocals all the time.

I dont think anything we've ever done has ever sounded the same. But we have that same vibe whatever we do because of our vocals.

You really can't pigeon hole yourself into one particular artistic area any more; the days of one vocation in the arts have long gone.

I really liked Kishore Kumar. He had a virile man's voice, and he was truly versatile.

I do a lot of voice over for Japanese anime titles as well as live-action stuff and original stuff from the States. 'Legion of Super Heroes,' 'New Wolverine: The X - Men' animated series, 'Afro Samurai' and some live-action stuff, TV shows here and there - I like to mix it up.

My main horn is a hybrid of a flugelhorn a coronet and a trumpet, but that's really because, for me, each instrument to me had a different voice, and I liked them all, but I didn't like any one of them singularly.

I can write for any magazine now, in any voice. I can do it in two hours, I could do it in my sleep, it's like writing a grocery list.

I would love to be an amazing singer. I take voice lessons. It's good to have as a dancer - to be able to sing and act, too, because for a Broadway show or musical, you have to be able to do everything.

After 'The Wonder Years,' I ended up having a voiceover career, which was something I never even knew was possible. But after the character I was playing on 'The Wonder Years,' people said, 'Oh, would you like to do a Burger King thing? And there's a 7 Up thing...' And then I got to do 'Dilbert.' I think my voice kind of fit for that.

Voiceover work, I really enjoy. I don't get to do too much of it, but I've been doing more lately, and I like it because you get to do a bunch of options, one after the other, and you can go as big as you want or as small as you want, and you don't think about it sometimes.

Basically, I'm a musical vocalist, but I do voiceover stuff as a sideline, like plumbing or something.

I'm trying to get more into television and film. I know, like, a million models and rappers have said that, but I actually enjoy voiceover and acting in particular.

You know, I like playing around with my voice and trying all different types of kooky voices.

I have no new voices - they've all been used.

Plus, I've always felt that, if the worst came to the worst in my career, I could always fall back to doing voices on the radio.

I've got many different voices - I have a Southern girl, an Irish girl. I have a gibberish language that you'd have to decipher. I guess I try to never take myself too seriously.

You write differently in each book. It may appear to be similar to readers, but you're a different writer in each book because you haven't approached that subject before. And every subject brings out a different prose strain in you. Fundamentally, yes, you're contained as one writer. But you have various voices. Like a good actor.

I've always been drawn to all sorts of genres and all sorts of voices.

If I'm doing a voice-over session, like animation or something, and I'm doing three different voices, you've gotta separate them. You've gotta find the different places and do your different things.

I do voices. I can sound like a man or cartoon character. I also have very believable Spanish and English accents.

Nothing I do is ever void of melody. I know it might seem like I'm doing a lot of rapping, but I'm always utilizing tone and trying to find a key signature. So, I don't look at myself as a rapper.