Quotes About Versatility

In a world where shows have to keep going while the priorities change, I have to stay flexible.

There is no one-size-fits-all process. It differs from character to character and priority to priority. Every project has a different priority, and you have to be agile enough physically as well as mentally to shift from one character to another. I think I am fairly decent in that.

My priority as an actor is just to be doing different kinds of roles. I say no to anything I have done before.

I probably can win a prize for the most ways to use a Harvard Law School degree because of all the things I'm doing.

If you speak pro wrestling or MMA, you almost speak any language.

There are many ways to do something right within the world of pro wrestling.

My mother's dad dropped out of the eighth grade to work. He had to. By the time he was 30, he was a master electrician, plumber, carpenter, mason, mechanic. That guy was, to me, a magician. Anything that was broken, he could fix. Anybody anywhere in our community knew that if there was a problem, Carl was there to fix it.

I was known as a ballad singer who sang melodramatic heavily produced ballads. I'm not known as a mid-tempo singer who does fun songs. I'm not going to do a song like 'Dancing on the Ceiling.'

I enjoyed playing the dual role of an actor and producer.

Musically, I'm always gonna take it a little farther, and Lord willing, people are gonna get that and understand that: that there's not really one genre I'm trying to be in, but just as a producer, as a writer, as an artist, that I'm planning on going farther.

That's really important in a producer - a producer that can step up and play a keyboard, play a bass, play a guitar, and help you with things instead of just saying, 'I think this could be better.'

I want to be a director, producer, and a writer. And an actor. So, like, all the things in acting, basically.

I don't want to be labeled as a certain style producer; I just want to be producer and musician in general.

I like so many kinds of music, and I work with so many kinds of music as a producer. When you work in 14 different genres, I find myself writing in those genres.

On my 'Mickey' video, I was the director, producer, choreographer, editor, singer - everything.

Basically, I'm one of the greatest producers ever. And I'm also one of the greatest DJs ever. And I'm also one of the best executives ever.

I feel like my music has so many different things going on. I've always worked with many different producers. And a lot of times, each of them has a different thing that I really love about what they do.

The thing about hip-hop producers, and the thing about hip-hop musicians, is that we listen to everything. And we're inspired by everything. I'd say even more so than any other genre of music.

I think I prefer producing a little more than DJing because you have more freedom, you can make anything you want; it doesn't necessarily have to be four to the floor. You can go more with your mood, or the atmosphere that you're in.

I like to consider myself an all-rounder, and I'm not trying to be King of the Scene or anything. I'd like to do everything, from writing film scores to producing pop albums.

I'm just used to playing on the ball or off the ball. At Michigan we did a lot of both so for me, it's just a matter of being productive when I'm on the court.

One could say that in case of need, every normal and healthy woman is able to hold a position. And there is no profession which cannot be practiced by a woman.

I'm beginning to get pigeonholed as the girl who plays the crazies and weirdoes - and that's not the entirety of who I am. Hopefully, the whole point of being in this profession is that you change into anyone you want to be.

I get bored pretty easily and I don't want to get locked down in one profession.