Quotes About Director

A lot of people die in my movies. So if you're in a few of my movies, you have a good chance of dying!

From my earliest days as an actress, I had always been drawn to learning the director's job.

While WHO has never had a director from Africa, no one should elect me because I am from Africa.

As a director, it just makes my life fantastic to work with people like Elizabeth Hawthorne.

It's just always wonderful to have a director who encourages you so much to focus on the present.

My approach to working in movies is to empower the director to have power over me and to really support his vision because he's the guy, at the end of the day, who's going to put it all together.

The 1980s really ended for me in 1992 with the film Kika.

I'm not a great director or an auteur; I'm an ensemble director. I do think I can get wonderful performances out of actors.

In his very first film, Mr. Gonzalez Inarritu makes the kind of journey some directors don't - or can't - travel in an entire career.

Really, I am entirely material driven. If a project appeals to me, I will try to find the right writer and director. And that may be someone I've worked with before, or it may not. It may be a woman, or it may not.

Getting the right script that will work at the BO and relate to the audience is what matters. You also need a great director to bring the script to the screen in a form you envisioned it to be.

I'm new to this TV thing, at least as an actor. It's a challenge. The thing I have to adjust to is the changing directors every week. That's new for me. I tend to establish with a director - and then two days later, he's gone.

Directors assume I'm, like, establishment.

Maybe the weirdest moment, which came months after production, was the first time I sat down with John Williams to show him about a half an hour of the movie. I can't describe the feeling. All I will say is, just to state the facts of it: I am about to show John Williams 30 minutes of a Star Wars movie that he has not seen that I directed.

If you think you don't want to play another psychopath, but the script is amazing, and the director is fantastic, and the story is incredible, then you may end up playing your third psychopath in a row.

There are still people who have an issue working with a woman director. Women can be viewed as 'difficult' even though they work in the same way as men.

I don't intentionally make my films with the express goal of surprising the viewer.

As a viewer, I liked screenwriter Park Jae-bum's writing and director Kim Hee-won's directing.

I always put myself in the audience's place and see if, as a viewer, I would want to see the film. If yes, then I want to know who's directing it, what my character is, and if it's impactful. If all these points fall in place, I'll do the film. If not, then I won't think twice before saying no.

As you follow the escapades or the journey of the hero through a story, it evokes some kind of emotion in the viewers. The director's job is to make sure that the audience goes through the journey and has an emotional reaction.

Theatre is an actor's medium though behind the stage there is a playwright, director and perhaps in some, a music composer too, yet the actor is the one who ultimately tells the story to the viewers.

The thing that struck me most after first viewing 'The Sessions' was the charm of Mark O'Brien and the intimacy that the director, Ben Lewin, manages to capture perfectly on screen. I did not feel forced or cajoled in any way into believing the story.

During the pilot, director Len Wiseman and I discussed how Lucifer views humanity, and we can came up with this notion that he sees them as lab rats.

Following the success of 'Pizza,' I am really glad that C. V. Kumar of Thirukumaran Entertainment has extended his support to a new director, Deepan Chakravarthy, to direct 'Pizza 2 - The Villa.' I wish this team to have a great success like 'Pizza.'