Quotes About Director

James Cameron has always been way ahead of the curve in terms of the use of technology in his movies.

James Wan is somebody who doesn't have any problem coming in and directing somebody else's script, he'll be the director for hire and he has his own style and he loves that.

I mean I met James Wan at film school. That's where we met. I didn't go to film school to find someone else to work with. I was thinking I would go and learn to direct and go and be a director like everyone else at school.

I always wanted to make a 'James Bond' film, and they only seemed to hire British directors, and I'd made 'Swingers' - they were never going to hire me for a 'James Bond' film off 'Swingers.'

Jane Campion is a tough director.

I always enjoy working with an international crew and director. But on the set of a Hollywood action film - now that's a whole other world. The sheer grand scale of the way things are done over there makes me envious; it's just so different from the way things are done in Japan.

If you're a director and you pay homage to Japan, you're definitely going to remember what you've learned from watching the Japanese masters' films.

Jason Reitman is an amazing director; he's really amazing with his actors and crew.

In 'Mother's Day,' which is directed by legendary director Garry Marshall, I play a mother figure to the character played by Jason Sudeikis from 'Saturday Night Live.' He's a widower, and I'm a mother who's helping him to get over the loss of his wife.

I'm a director... I don't wear any makeup, and wear jeans every day.

The director is a Canadian, Jeff Stephenson, and any time I get a script that has any Canadian component, I'm always immediately much more interested.

I've done two movies with Jim Mickle. He's somebody that I'd love to do another movie with.

Jim Cameron used to call me 'Special Ed.'

In a way, all Scandinavian movies are descendants of the original Scandinavian Christian-metaphor movie, Danish director Carl Dreyer's 1928 'The Passion of Joan of Arc,' one of the seven or eight best films ever made and impossible to watch more than once.

Voyeurism is a director's job description. It's an artist's, too.

I did 'Gangs of New York' with Martin Scorsese, and they used to call me 'Little Joe Pesci' on the set.

I wanted to do - there was this film called 'Magic' that Anthony Hopkins did. And the director wanted me. The writer wanted me. Joe Levine said no, I don't want any comedians in this.

I like John Carpenter. I like some of his films more than others.

John Hughes had such a huge impact on filmmaking.

I've been offered lots of movies. There's always some actor who's doing a project and would like to have me do it. But you look at the project and think, 'Gee, there are a lot of good directors who could do that.' I'd like to do something only I can do.

The Director's Role: You are the obstetrician. You are not the parent of this child we call the play. You are present at its birth for clinical reasons, like a doctor or midwife. Your job most of the time is simply to do no harm. When something does go wrong, however, your awareness that something is awry--and your clinical intervention to correct it--can determine whether the child will thrive or suffer, live or die.

When a director at Pacific Gas & Electric, one of the nation's largest utilities, testified that all of its control systems were getting hooked up to the Internet, to save money and speed up the transmission of energy, Lacombe asked what the company was doing about security. He didn't know what Lacombe was talking about.

My first in, my first break, was I met a director and got to talking with her, and she happened to be casting this movie that she had written. That was ten years ago. That got me to Hollywood. I got paid $700 bucks.

Twenty years ago I brought young, unknown film maker Joe Wright with me to a private show of 'Nil by Mouth.' Gary Oldman asked me if he was any good. I said, 'give it a few years and he'll direct you in a film that will win you an Oscar.'