Quotes About Director

It depends who the director is you know, I mean Ken Loach for instance. I've done up to 32 takes with him.

I mean he's a very famous director... they're not going to put their... and he's very tough, he doesn't like interference at all, so he kept them at bay.

On the stage, you alone hold the key, and on the night you have to trust that the director has inspired you enough to take the material and run with it.

The reason why I decided to appear in 'Vincenzo' was because of my love and trust for director Kim Hee-won and writer Park Jae-beom.

As a second-time director you don't want to be working with someone who's a star that wants you to get down and kiss their feet.

So, when directors come up to me and ask if they should just narrate my role, I would say no and insist on knowing the whole story. It would give me a better idea of what I'm going to be a part of because when I look back at my career later on in life, nobody is going to remember my screen time.

The director is the only person who knows what the film is about.

I love Kubrick.

Kubrick ate it up. He loved it. He just let me go crazy.

Wadigimbi has told me on several occasions that journalists are a waste of time, which is certainly an arguable point of view, but surely not one that the director of the foreign press centre should hold.

Alexander Gonzalez Inarritu is a great director. He's the one I first worked with. He's amazing.

That as he knew his obligation to love GOD in all things, and as he endeavored so to do, he had no need of a director to advise him, but that he needed much a Confessor to absolve him. That he was very sensible of his faults, but not discouraged by them; that he confessed them to GOD, but did not plead against Him to excuse them. When he had so done, he peaceably resumed his usual practice of love and adoration.

There are always dimensions, and the way they get expressed is through the writing and the actors and the director you get to work with on that day. But there are always dimensions, outside of really basic stuff for very young people where it needs to be very clear.

Maybe I have just a younger voice than many other directors.

I play Father Francis in 'The Exorcist Prequel.' It's fantastic. We are shooting in Morrocco and Rome. Paul Schrader is directing; Stellan Skarsgard plays the younger Max Von Sydow character. It's just a fantastic script. It's a very eerie, very scary script. It encomposes a growing dread that I think is really appropriate for the film.

It's true, I'm the youngest, highest-grossing French director. I have a few records, but no one knows or simply doesn't care. That's good, because I like that. Ultimately, I want to keep working, making a lot of movies, and get better at it. It's about finding great scripts and bringing them to life.

When you don't have time, especially for a director, you cannot do exactly what you want to do. You have to cut your dream to fit in the movie you're doing.

There are some sites that pay, but access to them is quite limited. And a very small chunk of the population uses the Internet. So, a director goes on YouTube only for better reach.

I'd wanted to be a director since I was five and had been making videos since I was a kid. Then YouTube came around during high school. I was making videos, and it was just a place to put them, like storage.

As a music video director, I have about 4 billion hits on my music videos on YouTube, and I'm really proud of that.

Frank Capra, Hollywood's Horatio Alger, lights with more cinematic know-how and zeal than any other director to convince movie audiences that American life is exactly like the 'Saturday Evening Post' covers of Norman Rockwell. 'It's A Wonderful Life,' the latest example of Capracorn, shows his art at a hysterical pitch.

Like 'Ken Park's' director, Larry Clark, Germaine Greer deliberately provokes controversy with the cheapest trick.

A fantastic actor in a scene that's just closed off will be good. But when working with a director who knows little tricks - correct music, slowly pushing in - that stunning performance will somehow become even better. I've always seen it as a symbiotic relationship.

Trying to make something as tricky as 'Room' really believable is extremely hard, and it largely rests with that relationship between the actors and the director, and the director and the crew.