Quotes About Cinema

I wouldn't make an anti-American film. I'm one of the most pro-American foreigners I know. I love America and Americans.

I'm an actor because I love movies, and always have loved movies. I'm a film buff. So, getting to work with those kinds of directors and getting to tell those stories is what I want to do.

For someone who doesn't even like love stories, I've played an awful lot of lovers.

Being a kid growing up with Kurosawa films and watching Sergio Leone movies just made me love what it could do to you, and how it could influence you - make you dream.

I would love to do a Western again if Westerns came back into fashion.

Una muchacha decente tiene que ver inmoralidades en el cine, porque hay cosas que es indispensable saber

De ahora en adelante solo iría a ver películas de amor, como las llamaban los grandes. Con muchos besos, muchos abrazos y donde todo el mundo se quisiera. Ya que solamente servía para recibir golpes, por lo menos podría ver a otros quererse.

The conductor was eating a young ladies' cinema nibble with a rigid, humourless expression, as though it was the doorstop or hunk of sausage that would have accorded with his personality.

Fincher, Kubrick, Lucas, Spielberg, Del Toro, Tarantino. And, of course, Kevin Smith. I spent three months studying every John Hughes teen movie and memorizing all the key lines of dialogue. Only the meek get pinched. The bold survive. You could say I covered all the bases. I studied Monty Python. And not just Holy Grail, either. Every single one of their films, albums, and books, and every episode of the original BBC

I also absorbed the complete filmographies of each of his favorite directors. Cameron, Gilliam, Jackson, Fincher, Kubrick, Lucas, Spielberg, Del Toro, Tarantino. And, of course, Kevin Smith.

Cameron, Gilliam, Jackson, Fincher, Kubrick, Lucas, Spielberg, Del Toro, Tarantino. And, of course, Kevin Smith.

Allora come adesso preferisco il libro al film, per il motivo della precedenza. Non succede che un libro sia tratto da un film.

When 'Chaudhvin Ka Chand' was released, it was a big success and very well appreciated. At that time, colour films had just started to be made, and Guru Dutt decided to take the title song of the film, shoot it in colour and rerelease it with new fanfare.

Other black and white films have also been released in colour, but 'Hum Dono' is better than all of them. When you watch 'Hum Dono Rangeen,' you will feel as though it was shot in colour; you won't feel that I have got the reels painted by brush.

2019 is proving to be a golden year of Malayalam cinema... As an actor, I have always classified films as either good ones or bad ones... I had five films that released this year in the cinemas and our audiences liked every one of them.

When a film is released, anywhere in the country, exactly in the same place people laugh, cry, get bored, what is that, but commonality.

I remember watching 'The Lunchbox' that released around the same time 'Ship Of Theseus'. Both films found space in the independent cinema circuit. But at a personal level, 'The Lunchbox' is one of the favourite films.

Once the film is released, once my job is over, I can't see the film again.

In 2001 when 'Tum Bin' released we got 90 to 100 screens. India had around 1000 screens at that time.

I've more than 50 hits in Bengali cinema and it's a great feeling to have them released separately in the form of albums that are independent of the movies.

English movies releasing in India should be confined to a certain number.

Your relationship to a film, and to cinema, is very much determined by yourself, so what is relevant is you.

I started 'Carol' as I almost always do, by looking at films from the time, and they were less - they actually felt less relevant to me in terms of their bigness, although we do have some big '50s-type moments in 'Carol.'

Most filmmakers looked at it as a medium to palm off sub-standard stuff. I don't look at it like that. Your TV screen, mobile screen is as relevant as a cinema hall.