Quotes About Cinema

I never go to movies where the hero's tits are bigger than the heroine's.

Vase [Why weep Come back tomorrow There are also poisonous flowers and flowers always open in the evening she loves the cinema she has been in Russia Love married with disdain Pearl-studded watch a trip to Montrouge Maisons- Lafitte and everything finishes in perfumes remember Let the flower bloom and let the fruit rot and let the grain sprout while the storms rage]

All art is portraiture and all art is political: those are the things that you cannot avoid. When someone sees you in your entirety for who you are, that's the greatest act of love, because it's granting you existence. And the rarest act of love is, like cinema, to see.

I don't enjoy movies in 3D. I find I can't engage with the story as well.

What I liked about American movies when I was a kid was that they're sort of larger than life and I think I'm still suffering from that reaction.

There is no higher form of artistic expression then film

I love small films, and I love films being seen in a theater. I love film, and unfortunately, that's being phased out.

Unfortunately, I know very little about Indian cinema. I know we have Bollywood... But my knowledge about it is very little.

Unfortunately, I've seen violence, and I think, in films, it is the dramatic extremity of it.

I get unhappy doing things that I'm not passionate about. Because I feel like I'm squandering this incredible gift I've been given to finance films. As soon as my name alone was enough to make this happen, I vowed to myself that I was going to work with directors who were changing cinema, doing something important, you know?

Unhappy marriages are big box office.

I have a kind of unhealthy obsession with movies.

When I got the call about 'Arrival,' I was doubtful because the piece had had a life on cinema already, and we were getting to the point where the original context was sort of lost, and I didn't want that to happen. On the other hand, 'Arrival' itself is a political film because it's about unification and getting beyond boundaries.

100 years of Indian cinema has happened. Anything you do, feels like it has already been done. The struggle is to find a new and unique idea.

The problem in Hollywood is that they try to become the only kind of cinema in the world, okay? The imposition everywhere of a unique culture, which is Hollywood culture, and a unique way of life, which is the American way of life.

The first film that I saw of Shammi Kapoor was 'Bhramachari.' I instantly fell in love with the film and connected with Shammiji. His style was natural and unique.

PK' is a very unique story. There are no benchmarks in Hindi cinema to give you an idea about 'PK.'

Well, you cannot think of cinema now, and you cannot think of cinema in the UK and not place Chaplin in the most extraordinary elevated context, if there can be such a thing, in that he was a genius, he was unique.

I'm interested in making films of all sizes. During this time I've made a film called 'The Boy in the Striped Pajamas', which is a modest-sized film. I was involved in 'I Am Legend' and 'Yes, Man', but 'Potter' is unique. There'll never be anything like 'Potter' again.

There's definitely something about the structure of 'Caddyshack' that is unique that no one has ever been able to achieve since then.

Some independent Indian films do so well at these festivals in Europe and in the United States that when they come back, India just cannot ignore them.

As far back as I can remember, these are the first movies, the Universal horror movies where I knew the title of the film and I also knew the names of the actors in those films.

Special effects movies have taken over the universe. That and scary movies.

I go to universities to talk to the students and teach them how to watch movies. Movies have so many elements - acting, music, art direction, costumes. I also tell them not to watch pirated movies. At the cinema, they can enjoy the big screen and the surround sound.