Quotes About Cinema

If you were around when 'Them!' or 'Tarantula' came out, those effects were as good as you had ever seen.

I have acted with Rajinikanth as his elder brother in 'Uttar Dakshin,' and since then, we have been close.

Well, I think if you're telling a story, a three act structure will just naturally emerge out of it. But I also love it when a film doesn't feel like it's anchored too rigidly to that structure and you feel like anything could happen.

'Taramani' was a very emotionally draining film for me.

I don't know if cinema can change society, but if it can make us show some empathy, that's a good start.

While Anurag Kashyap is a very chilled out guy and let his actors pitch in with their ideas, Kamal Haasan is an encyclopedia in himself. Merely listening to him enriches one so much.

I will always endeavour to bring out the best films.

The 1980s really ended for me in 1992 with the film Kika.

My wishlist of directors, who I want to work with is endless. I want to work with Vishal Bhardwaj, Dibakar Banerjee, Karan Johar and many more.

I don't enjoy movies in 3D. I find I can't engage with the story as well.

In England we only make films about the working class or the aristocracy.

'This Is England 2015.' That would be ace. We could have prosthetics to make us look really old.

Movies have an enormous power to open the mind and the heart and everything.

Like most people, I am an enormous fan of movies.

I don't think 'Enter The Dragon' should ever be remade.

Cinema is a great medium for creating a dream world and entering into it.

I like to entertain all kinds of audiences with my films.

Films don't change lives, nor are they made to change anything, their only purpose is to entertain.

I understand that there are two kinds of films, there is the kind of cinema which allows you the opportunity to be an actor and then there are the masala entertainers. I have done both.

Any cinema has to be entertaining. Boring cinema won't work. If you want to make one, then screen it for free on TV.

No Entry' is close to my heart.

Getting the right script that will work at the BO and relate to the audience is what matters. You also need a great director to bring the script to the screen in a form you envisioned it to be.

I don't ever do those kind of epic, huge, green-screen movies.

It's equally interesting and challenging to work on stage as much as movies.