Quotes About Memorable

I want to make movies like 'The Upside of Anger,' 'Maria Full of Grace,' old-school films like 'Some Kind of Wonderful' or 'Vision Quest': movies you remember songs and lines from.

My dad always said he wanted to be remembered for his body of work, and he's made more than 75 pictures, some good, some bad, and they will be his legacy to the world of acting.

Do you know what makes a movie work? Moments. Give the audience half a dozen moments they can remember, and they'll leave the theatre happy.

The stuff that I got in trouble for, the casting for The Godfather or the flag scene in Patton, was the stuff that was remembered, and was considered the good work.

I began to work the stage and get the audience into it. I also learned how to have fun out there. It is something I will never forget.

I like rhyme because it is memorable, I like form because having to work to a pattern gives me original ideas.

I met Steve McQueen once. Well, met isn't really the right word.

There never has been before and never will be again another Steve Irwin.

The friendships I made on 'L.A. Law,' with the cast and Steven Bochco and David Kelley were really wonderful.

For me and Steven to both play for Fulham at the same time was special.

I am trying to write novels for properly clever people, but I also want them to be proper novels that also stick in a person's mind and have an atmosphere about them.

So when you're following guys like Kyle O'Reilly and Bobby Fish or The Young Bucks or Jay Lethal or The Briscoe Brothers, and you're going out and trying to really stick out and have a very memorable, talked-about main event, or the match of the night, like the main event should be, it's really challenging.

I don't see a lot of films. I'm quite choosy, but there's certain films that stick out.

I want to write a story for people where they finish it, and it sticks with them.

I've met lots of interesting people, but Lucian Freud is the one who sticks out because I spent so much time with him. He taught me discipline, which I hadn't been taught properly before. If I was, like, two seconds, late, he would kick off. Once, I was three minutes late, and he went absolutely berserk.

It's incredibly important to me that you remember a song right after the first or second time you hear it. That something sticks to you, something that makes you feel, 'I need to hear that song again.' That's fundamental. Something you want again. And again.

The great thing about 'Coco' is that for anybody who hears it, it just sticks.

Good music always sticks around.

Kristi Yamaguchi stole my heart in 1992, and I've never been the same since.

I got to play on a couple of records with the Rolling Stones, and that was really special to me.

On my 50th birthday the Rolling Stones played at my party at Grosvenor House. That's not bad for a kid from Tooting.

We ended up New Year's Eve playin' a show. My date had stood me up, and I remember walkin' back to my friends with, like, two minutes before midnight and thinkin', 'I'm not gonna have anybody to kiss on New Year's.' And there she was, standin' right there, and I remember kissin' her, and then that was game over.

I definitely stood out when I was in high school.

I stopped by Politics & Prose to sign a few copies of 'Constellation.' A couple days later, I learned that Barack Obama also stopped by and left with one of them.