Quotes About Art

I think when you're a director, it's hard to do something unless you're absolutely over-the-moon in love with it. The audience, they spend 90 minutes with it, but for you, it's anywhere between a year and a half to three years of your life, every day, working on it.

I grew up in a wood cabin on Puget Sound in Manchester, Wash. My family taught me to appreciate the arts and the outdoors, and I still yearn for the absolute silence I experienced there when I was young.

My dad used to draw these great cartoon figures. His dream was being a cartoonist, but he never achieved it, and it kind of broke my heart. I think part of my interest in art had to do with his yearning for something he could never have.

You see Michelangelo and Picasso and you read literature. I had some innate inchoate yearning for that, but I never really saw where I would fit in. That's called art. And then something happened to pop music, which is that it became art under the hand of the Beatles, the Stones, and Bob Dylan and some other people.

Masterpieces are not single and solitary births; they are the outcome of many years of thinking in common, of thinking by the body of the people, so that the experience of the mass is behind the single voice.

I could paint for a hundred years, a thousand years without stopping and I would still feel as though I knew nothing.

I haven't been in the Louvre for twenty years. It doesn't interest me because I have these doubts about the value of the judgments which decided that all these pictures should be presented to the Louvre instead of others which weren't even considered.

I was a dancer for many years. I was a premier dancer with 'Porgy and Bess,' the opera. And I taught dance some, in different places.

I've taken a lot of risks through the years, but I always followed my instincts and always explored new opportunities. The biggest reward has been having an idea and being able to make it a reality. My passions always lead the way - travel and adventure, fitness, art, and home.

I'm also interested in creating a lasting legacy for collectors because bronze will last for thousands of years so I'm not really selling the art to this particular collector but it is being passed on.

For thousands of years, human beings have been obsessed with beauty, truth, love, honor, altruism, courage, social relationships, art, and God. They all go together as subjective experiences, and it's a straw man to set God up as the delusion. If he is, then so is truth itself or beauty itself.

What is extraordinary about contemporary art is the energy - it has our energy. New energy. Pieces hundreds of years old are beautiful from an aesthetic point of view, but without our modern energy.

When I was either 7 or 8 years old, I did a sketch every day of my teacher and what she wore. At the end of the year, I gave her the sketchbook. For me, the sketching of dresses was about fantasy and dreams.

The danger is in pleasing an immediate public: the immediate public that comes around you and takes you in and accepts you and gives you success and everything. Instead of that, you should wait for fifty years or a hundred years for your true public. That is the only public that interests me.

I was six years old when I saw my first Godard movie, eight when I first experienced Bergman. I wanted to be a director when I was fourteen.

I have a background in graphic design and have been designing t-shirt graphics for years.

I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.

I wanted to be a poet. I fell in love with poetry around eight years old, but not through literature. Instead, it came through hip-hop lyrics and my obsession with reading liner notes. Queen Latifah's 'Black Reign' is the album that stands out the most.

My tattoo is of a cannon in Vancouver that I got in a fleeting moment of stupidity maybe 14 years ago. A lot of people have really beautiful tattoos, and I get real tattoo envy. But then other people basically just treat them like bumper stickers for their bodies.

Songs really are like a form of time travel because they really have moved forward in a bubble. Everyone who's connected with it, the studio's gone, the musicians are gone, and the only thing that's left is this recording which was only about a three-minute period maybe 70 years ago.

In the first book of my Discworld series, published more than 26 years ago, I introduced Death as a character; there was nothing particularly new about this - death has featured in art and literature since medieval times, and for centuries we have had a fascination with the Grim Reaper.

Seattle has a long tradition of celebrating local and non-local art - from the Burke and Seattle Art Museums to the Asian Art Museum.

Art has a double visage: it looks before and after. Romance is its forward-looking face. The germ of growth is in romanticism. Formalism, on the other hand, consolidates tradition; gleans what has been gained and makes it facile to the hand or the mind; economizes the energy of genius.

The state of female artists is very good. But the very definition of art has been biased in that 'art' was what men did in a European tradition and 'crafts' were what women and natives did. But it's actually all the same.