Quotes About Art

A true work of art is the revelation of a new conception of life arising in the artist's soul, which, when expressed, lights up the path along with humanity progresses

A writer is dear and necessary for us only in the measure of which he reveals to us the inner workings of his very soul.

He positively forgot where he was, and not even hearing what was said, he could not take his eyes off the marvelous portrait. It was not a picture, but a living, charming woman, with black curling hair, with bare arms and shoulders, with a pensive smile on the lips, covered with soft down; triumphantly and softly she looked at him with eyes that baffled him. She was not living only because she was more beautiful than a living woman can be.

Der Mensch, der einen wirklich künstlerischen Eindruck empfängt, hat das Gefühl, dass er das, was ihm die Kunst enthüllt, bereits kannte, aber außer Stande war, den Ausdruck dafür zu finden.

The one thing necessary in life, as in art is to tell the truth.

The aim of the artist is not to solve a problem irrefutably but to make people love life in all its countless inexhaustible manifestations.

satu-satunya yang wajib-dalam hidup dan seni-adalah menyatakan kebenaran

Art is a microscope which the artist fixes on the secrets of his soul, and shows to people these secrets which are common to all

Vronsky's interest in art and the Middle Ages did not last long. He had sufficient taste for art to be unable to finish his picture. He ceased painting it because he was dimly conscious that its defects, little noticeable at first, would become striking if he went on.

Art lifts man from his personal life into the universal life.

Speeches, however eloquent and profound they may be, when put into the mouth of dramatic characters, if they be superfluous or unnatural to the position and character, destroy the chief condition of dramatic art—the illusion, owing to which the reader or spectator lives in the feelings of the persons represented...

music transports me immediately into the condition of soul in which he who wrote the music found himself at that time. I become confounded with his soul, and with him I pass from one condition to another. But why that? I know nothing about it? But he who wrote Beethoven's 'Kreutzer Sonata' knew well why he found himself in a certain condition.

Low as was his opinion of Golenishtchev's capacity for understanding art, trifling as was the true remark upon the fidelity of the expression of Pilate as an official, and offensive as might have seemed the utterance of so unimportant an observation while nothing was said of more serious points, Mihailov was in an ecstasy of delight at this observation.

Music makes me forget my real situation. It transports me into a state which is not my own. Under the influence of music I really seem to feel what I do not feel, to understand what I do not understand, to have powers which I cannot have.

To evoke in oneself a feeling one has once experienced, and having evoked it in oneself, then, by means of movements, lines, colors, sounds, or forms expressed in words, so to transmit that feeling that others may experience the same feeling—this is the activity of art.

Meditations or discussions about art are the most useless pastimes known. Those who really know art know that art can speak well with its own language, and that to speak about art with words is useless. Most people who speak about art do not understand or feel real art.

the most experienced and skilful painter-technician would be unable, for all his mechanical ability, to paint anything unless the boundaries of the content were first revealed to him.

Painting contains a divine force which not only makes absent men present, as friendship is said to do, but moreover makes the dead seem almost alive.

It is unquestionably true that the need for art is not created by economic conditions. But neither is the need for food created by economics. On the contrary, the need for food and warmth creates economics.

Culture feeds on the sap of economics, and a material surplus is necessary, so that culture may grow, develop and become subtle.

The artist can not serve his struggle for freedom unless he subjectively assimilates the social content, unless he feels in his very nerves its meaning and drama and freely seeks to give his own inner world incarnation in his art.

It is very true that one cannot always go by the principles of Marxism in deciding whether to reject or to accept a work of art. A work of art should, in the first place, be judged by its own law, that is, by the law of art. But Marxism alone can explain why and how a given tendency in art has originated in a given period of history; in other words, who it was who made a demand for such an artistic form and not for another, and why.

The Formalist school represents an abortive idealism applied to the question of art. The Formalists show a fast ripening religiousness. They are followers of Saint John. They believe that "In the beginning was the Word." But we believe that in the beginning was the deed. The word followed, as its phonetic shadow.

I know writers have to be crazy. But more than that that, they have to get made and stay mad. If things don't make a writer mad, he'll end up writing Flopsy, Mopsy, and Cottantail.