Quotes About Art

Well, the Empire State was about 40' high in the studio. King Kong was a little model about 2' high, and the scenery that he worked in was in proportion to his size.

To be able to get up and be in my studio and work all day is a great joy.

I don't want a lot of people nosing round my studio and bothering me. I don't want to see them at all. Let the dealers have all that bother.

I don't believe in making pencil sketches and then painting landscape in your studio. You must be right under the sky.

And if I had a preference, it would be to be able to not be in the studio until 4 in the morning.

That's a different side of the brain going into the studio, as opposed to doing a live show, obviously.

What is generally referred to as American-style films are, in fact, studio productions.

You go into any recording studio in the world, and you see candles, lights, and that Apple light from a Mac.

When I am not working as a model, I spend time with my family or working on my art projects in my studio.

I'm not one of those rapper guys that spend nights in the studio. I hate being in the studio.

I'm a big believer of daylight in the studio.

You can see how different artists work, from writing to recording, just from being in the studio environment with them.

I used to paint landscapes without any people in them but now I paint people who happen to be in a particular place. They might be outside a pub, or on a beach or in a studio. They might have clothes on or they might not.

We seem to do better in the studio than we do in a live environment.

The studio scene in California is sort of ridiculous anyway.

It wasn't a problem for me drawing humans although I had originally come to the studio with the idea that what I had to offer them was my knowledge in the drawing of animals.

My first show sold within the first 3 minutes, and I came back to the studio and spent the next two and a half years making almost nothing.

Just when I think I hate fashion, I hate clothes, I'm seized by this crazy thing that I have to do. I have this little studio now where I just draw. I can be in the room for three days and not even look up.

The thing that's characteristic of my performance is that I literally do drag the whole studio onto the stage.

I like the gritty parts of fashion, the design, the studio, the pictures.

I do real paintings, you know. I'm a little messy in the studio, so I'm a bit of a danger. But I just adore it.

I'm always working. If I'm not in my studio I become quite nervous.

I started a recording studio. I started producing people and doing remixes.

I look for a sense of reality with everything I did. I didn't work in a studio, I didn't light anything. I found a way of working which pleased me because I didn't have to frighten people with heavy equipment. It was that little black box and me and £5 worth of film in my pocket or maybe it was only £2 in those days.