Quotes About Art

I liked tap, because I liked hearing the results of my movements.

I tap dance.

Tap dancing is something I love, and I've been working on it to get really good.

I would love to be able to tap dance.

I think there's a lot of similarity between what people try to do with religion with what they want from art. In fact, I very specifically think that they are same thing. Not that religion and art are the same, but that they both tap into the same need we have for surrender.

I'm a tap dancer. Once you're a tap dancer, you're always a tap dancer. In 'After Midnight,' I get to dance, but I don't do a full tap number.

I was in a competing company and have been dancing since I was four - ballet, tap, jazz, hip hop - so it's a huge part of my life and my music.

I can tap dance a little bit.

Tap's foundation is jazz, just like hip-hop, so relating tap-dancing to rap is natural for me.

Maddie Ziegler

What I'm trying to do is bring young people into doing tap so that the art form will keep going.

I am realizing and accepting my role as a tap dancer in this world is not only to tap dance for the sake of performance, but through tap dance be able to share and spread a message and congregate with people I would not necessarily be with had it not been for dance.

In 'Spinal Tap,' there's the fake historical quality of 'Stonehenge.' It's something the musicians look at with a mystical reverence. In folk music, it's the seriousness with which these people approach their 'art.'

I've been trying to sing for a long time. I didn't realize that's what I wanted to do until I was about seven or eight. I tap danced since I was three years old, and that's all I did.

I taught and studied dance in college, and for over a decade, I thought that would be my career: tap dancer, ballet dancer, modern dancer. I still find myself doing some tumbling or interpretive dancing in the grocery store every now and then.

I grew up doing tap, jazz, and ballet, so I understand rhythm and movement and performing.

No matter which way you do it you need to make something happen and get a song that makes you feel a certain way, whether that's making you tap your foot or beat someone up or whatever you're doing, you just need some passion about it.

Personally, I just think rap music is the best thing out there, period. If you look at my deck in my car radio, you're always going to find a hip-hop tape; that's all I buy, that's all I live, that's all I listen to, that's all I love.

It's not just putting on a little bit of makeup and putting on a dress. Some drag queens duct tape their heads, some drag queens are bound and strapped and pulled in every which direction. To be in drag is no small endeavor.

So I use a tape recorder a lot to record ideas.

I made a lot of different experiments with tapes at that time, until I finally realized around 1995, that sound is an interesting subject for me. Ever since then sound got more and more integrated into my art works, musically as well as physically.

More than 30 years ago, in Washington, D.C., I secured a copy of a single by a Los Angeles band called The Bags. The two-song 7-inch, released on Dangerhouse, had a girl on the cover who looked right at you with huge eyes. The songs, 'Survive' and 'Babylonian Gorgon,' were great and made many of my mix tapes.

I had all these tapes in my closet that I had shot years ago with my friend Jean-Michel Basquiat. I was working on a film about him when he died, and then I just put everything away. It was too sad.

I hope readers will think that 'The Thing About Life' is beautifully patterned, a tapestry.