Quotes About Female experience

Being a woman is hard work. Not without joy and even ecstasy, but still relentless, unending work. Becoming an old female may require only being born with certain genitalia, inheriting long-living genes and the fortune not to be run over by an out-of-control truck, but to become and remain a woman command the existence and employment of genius.

Dorothy L. Sayers is absolutely my favorite The reason she stands above Agatha Christie, Ngaio Marsh, and Margery Allingham is because she was so subtly aware of the lot and trials of women of her decade.

The notion of a universality of human experience is a confidence trick and the notion of a universality of female experience is a clever confidence trick.

If you're a filmmaker who grew up wanting to make a movie for people to have that female experience of sitting in the theater together, it's hard to do unless you can compete with the bigger spectacles that are being offered to them.

Better is it', she thought, 'to be clothed with poverty and ignorance, which are the dark garments of the female sex; better be quit of martial ambition, the love of power, and all the other manly desires if so one can more fully enjoy the most exalted raptures known to the humane spirit, which are', she said aloud as her habit was when deeply moved, 'contemplation, solitude, love.

Women are strangers in the country of man.

It is possible to say that all of my books concern themselves with the notion of what it means to be female - whether it is in New York City in 2000 or Calcutta in 1836. In that way, my books really are the same.

If I go way back to Loretta Lynn, I always cite her as being able to capture what I think is every woman's story... she very openly used her art as an expression of what she was going through in her life. So that authenticity is something I admire.

No surgery in the world was going to offer him the particular history that went along with growing up female. No procedure was going to give him the joys or the terrors that must accompany pregnancy- that must, for teen girls, make sex a walk over Niagara Falls on a tightrope.

Women artists need to break barriers in order for women's experience to be valuable.

I do not have the female experience. I don't, and I strive to understand it, but I'll never truly be able to. I don't think any men will, really.

There are some days that prove that it's a man's world and we women are only here as visitors.

O is a story about how being born, writing, reading and loving as a female is a fall into alignment with the minor time of a nilling. It is also a story about the way resistance animates the figure of an obscenely overdetermined identification with abolishment. We cannot know if the abolishment is of the female, of the identification or of the will. Her figure keeps moving.

Thoughts when I'm on my period: Ah, my vagina is falling off! I'm going to die! Wow this is dumb! Why wasn't I born a boy? I hate all of you!

Girls are cruelest to themselves," observes Anne Carson in "The Glass Essay," her brilliant long poem about the ravages of female anger, loneliness, grief, and desire, giving us as poetic adage what any number of other fields give us as statistic.

Is the something inherently queer about pregnancy itself, insofar as it profoundly alters one's normal state and occasions a radical intimacy with, and radical alienation from, one's body? How can an experience so profoundly strange and wild and transformative also symbolize or enact the ultimate confromity? Or is this just another disqualification of anyhting tied to closely to the female animal from the privileged term, in this case nonconformity or radicality?