Quotes About Arc

When I started thinking about 'Mr. Robot,' I thought about it as a movie, and I thought about the complete arc, and that is the one story I'm going to tell.

I owe my entire to theatre. Simply because, I got so many chances to practice. Playing the same character for days, I could understand and practice on how to build that emotional arc.

With both novels and short stories, I think a lot in terms of character arcs, when it comes to endings.

The writing for us is the hardest, but also the most important. You want to get to the next part of it, to production, but it doesn't matter how beautifully made it is if something's wrong with the story arc.

TRACE THE EMOTIONAL BEATS ON YOUR ARC The arc maps the inner changes you undergo as you progress toward your goal.

Hathi Ram's journey intrigued me. He is a very vulnerable character. I was never offered such a role of a man who is a failure in life and is desperate to prove himself. It was a good change for me to play someone with such a nice arc and so many shades to his personality.

All the sudden, I was part of the 'No Man's Land' thing, and there was a bundle of core writers for that, but somewhere along the line, I became the go-to guy after that initial arc.

In a film you only get two hours to do this big arc and so you have to pick and choose your moments carefully, but with television you get to take your time and just take it episode by episode and discover new things.

I think the arc of history is long, and it bends toward justice. And I think that's what the 'Star Wars' message is. You know, the dark side is in the human heart. And chaos is very troubling for an individual or for a culture, which can lead you to authoritarian leaders. But the arc of history is on the right side. I believe that.

When you guest-star, you're usually at the center of the dramatic arc, so that's fun.

I just look at the character and the arc of the character, and see if it's going to be challenging. We always want to challenge ourselves. That's the biggest thing that I look at. Is this going to be a challenge? Is this going to be something that I can try my best to create, that no one could see anyone else do?

I like it when actors get an opportunity to chew into something. They love scenes with beginnings, middles, and ends - scenes that give an arc to their characters and allow audiences to get to know these people.

When I signed onto 'Superman,' editors Matt Idelson and Wil Moss gave me a rough outline that JMS had turned in for the remaining issues of the 'Grounded' arc, which amounted to a couple of sentences for each issue, spelling out in general terms where the issue would take place geographically, specific guest stars, things like that.

Sodium light (produced by an electric arc in sodium vapour) glows yellow.

A man who took history in his hands, and bent the arc of the moral universe toward justice.

Through the music I hope to give it an arc that gives it a greater sense of a journey through the set rather than a bunch of songs.

When we're in our right minds, we are hopeful. Because the arc of the moral universe does bend toward justice, nature does bend toward healing, and the heart does bend toward love.

The sun rises on Newfoundland, sets on British Columbia, island to island. Chilly Atlantic mornings and warm Pacific sunsets. An arc that traces a path from the dawn of an empire to its twilight.

I sat down in the sand, breathless with shame and failure. God, I thought, some defender of the weak. Some freedom fighter: Joan of Arc in sunscreen.

My character on 'The Good Wife' is a smaller character, and his story arcs are typically season-long, unless it's a big episode for him. His transitions take place over many, many hours.

On motionless wing they emerge from the lifting mists, sweep a final arc of sky, and settle in clangorous descending spirals to their feeding grounds. A new day has begun on the crane marsh.

We've got plans for 'Fable' III, IV, and V. It's a big story arc, and if you play Fable II, you'll recognize things from 'Fable I.'

I want my fights to be seen as plays that have a beginning, a middle and an end.

When it comes to a character, I make sure that it adds to the plot.